Advocates of Impressionism, Existentialism and even Christianity vie with each other in claiming him as an exemplar of their doctrines. He is seen as the successor of Dostoyevsky, the disciple of Kierkegaard and the forerunner of Sartre. Yet beside the profound searching of his great 'trilogy of loneliness' - the words are those of Max Brod, his lifelong friend and editor of the diaries - such controversy seems insignificant. Kafka's diaries cover the period from 1910 to 1923, the year before his death at the age of forty. They reveal to us the extraordinary inner world in which he lived. Here he describes his fear, his isolation and frustration, his feelings of guilt and his sense of being an outcast. In between come quick glimpses of the real world, of the father he worshipped and of the woman he could not bring himself to marry. And throughout this personal journey Kafka the writer is searching for his true mode of expression.
Tr . ] 54 Kafka's second fiancée , Miss J.W. The engagement lasted only six months or so . 55 A character in Knut Hamsun's Growth of the Soil , which Kafka was reading at the time . Kafka particularly loved and admired this writer .
Paul Engel (alias Diego Viga), österreichischer Exilschriftsteller und Arzt, Zeuge der Verfolgung, Emigrant
Gedichte bis 1834
All four of us want to express our deep gratitude to Susan Christensen , at the University of Texas , Arlington , who was responsible for the creation , management , and administration of this website . Without her and her technical ...
本书包含130余封信件, 它们对后世了解作家卡夫卡的思想和创作历程提供了不可多得的参照.另外还包括维利·哈斯的编后记, 原版后记, 并附录弗莱茨曼的文章密伦娜, ...
Carta al padre y otros relatos
Seuffert , Thea von : Venedig im Erlebnis deutscher Dichter . Köln 1937 . Seume , Johann Gottfried : Spaziergang nach Syrakus im Jahre 1802. Hg . v . ... Treder , Uta ( Hg . ) : Die Liebesreise oder Der Mythos des süssen Wassers .
A truthful and passionate account of the golden age of literary Vienna; its seeming permanence, its promise, and its devastating fall.
Franz Kafka and Prague
Três cartas a Milena Jesenská: verão de 1920