Icons are traditionally regarded as timeless, motionless and eternal: windows onto Heaven. But it is not enough to simply wonder at their unchanging portrayal of divinity. How did they work? What did Byzantine culture want icons for? In what ways did Byzantines conceive these images as more meaningful and more powerful than simply pictures? What was the nature of the divinity of icons? Icon and Word brings together the work of a group of scholars to re-examine these notions. The resulting papers demonstrate the dynamism of the image in the medieval world. They explore not just what an icon is, but how it functions in different contexts, periods and cultures, and look at images in a broad range of media, in addition to the traditional format of painted panels: ivory carvings, manuscript illuminations and monumental wall paintings. questions about the power and significance of icons in a range of different cultural contexts - Rome, Cairo, the Medieval West and Byzantium. Others look specifically at the nature of the Byzantine icon within its own society, above all in the years after the Iconoclast Dispute, a dispute that established the place of icons within Orthodox religion forever. Icon and Word discovers the power and significance of icons, and why they mattered so much in Byzantium that the Empire was in uproar for over a century.
What was the nature of the divinity of icons? "Icon and Word" brings together the work of a group of scholars to re-examine these notions. The resulting papers demonstrate the dynamism of the image in the medieval world.
We also extend our appreciation to translator Mr. Hou Jianyu and proofreader Ms. Zhang Guina, for their time and energy spent on the text. ...
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The present work is the first of its kind to give a reliable introduction to the spiritual background of this art.
Icons, Texts, Iconotexts: Essays on Ekphrasis and Intermediality
This lavishly illustrated guide to iconography explains through words and pictures the history, meaning, and purpose of Christian icons as well as the traditional methods that religious painters use to create these luminous, spiritually ...
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons.
Often a piece of looselywoven linen or cheesecloth isglued on, or the boardis“sized” with a mixture of gelatin and hot water witha small amount of chalk or alabaster whiting added. This provides abase for what will follow—the careful ...
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Word and Icon, Saying and Seeing