In 1999, Elia Kazan (1909-2003) received an honorary Oscar for lifetime achievement; it was a controversial award, for in 1952 he had given testimony to the HUAC Committee, for which he was ostracized by many. That Oscar also acknowledged Kazan's remarkable contribution to American and world cinema, making such films as "On the Waterfront" and "A Streetcar Named Desire". Kazan's life in the cinema is due a reassessment, one that is presented expertly and gracefully by Brian Neve in this book, drawing on previously neglected and some hitherto untapped sources. Focussing in particular on the producer-director's post-"On the Waterfront", New York based independent work, and on his key artistic collaborations, including those with Tennessee Williams, John Steinbeck and Budd Schulberg, Neve gives a fascinating reassessment of Kazan's famed technique with such actors as Marlon Brando and James Dean, and his lifetime concern to provoke and photograph 'authentic' behaviour. He reveals a pattern, through the films, of personally resonant themes, relating for example to ethnicity and the American immigrant myth. He reviews Kazan's style, from the colour and wide screen of "East of Eden" to the creative use of location in his Amercian South films, including "Baby Doll". He debates the reception of Kazan's work and the controversy - which dogged his career - of his 1952 Congressional testimony. These elements and more make this a very readable and memorable, fresh portrayal of the film career of this ever fascinating director.
This fully annotated selection of Elia Kazan’s letters reveals all the passion, vitality, and raw honesty that made him such a towering figure in American theater and film.
Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work.
Charlie - boy , you go to the door and stay there a - leanin ' . The rest of you stick . Ease back into the chair a little more , Eades — you're the sheriff . Now , when he comes in— " Kazan called out loud in his Eastern voice ...
Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray ...
Sheye , Thomas E. " The Glass Menagerie : It's No Tragedy , Freckles . ” Tennessee Williams : A Tribute , ed . Jac Tharpe . ... Zlobin , G. “ On the Stage and Behind the Scenes . ” Inostranaja Literature , 7 ( July 1960 ) : 199–210 .
Illustrated with 72 photos and 19 original movie posters, these never-before-published interviews conducted in the early 1970s prove to be "an invaluable addition to film scholarship, [which] allows aspiring filmmakers...
FILM. AND. HISTORY. Series. Editor: Cynthia. J. Miller. European Cinema after the Wall: Screening East–West Mobility ... Myths, and the “Good Indian” by Michael Ray FitzGerald Bringing History to Life through Film: The Art of Cinematic ...
Elia Kazan: A Guide to References and Resources
In the story of Stavros, Elia Kazan not only gives us a vividly wrought picture of one man’s struggle to understand his dreams, but he reveals, as well, what it has meant for the immigrant to confront America, and, more importantly, what ...
For The Elia Kazan Maven. This book is your ultimate resource for Elia Kazan. Here you will find the most up-to-date 155 Success Facts, Information, and much more.