Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969. Those letters, published here for the first time, are remarkable for their quantity and their content. The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterised as macabre or even ghoulish. His gentleness, humility, and brilliance - interwoven with his distinctive humour - shine in each letter; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer. More than anything else, Floating Worlds is the moving memoir of an extraordinary friendship. Gorey wrote that he felt that they were "part of the same family, and I don't mean just metaphorically. I guess that even more than I think of you as a friend, I think of you as my brother." Neumeyer stated, "Your lettersa your existence has made something of this world that [it] hadn't the possibility of before."
From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the ...
The Floating World is the Katrina story that needed to be told—one with a piercing, unforgettable loveliness and a vivid, intimate understanding of this particular place and its tangled past.
Ukiyo-e are paintings and prints of 'the floating world' of Edo (Tokyo), which had transformed itself in just a century from a swampy village to a metropolis of about a...
"Maks the debut of a luminious new voice in fiction." THE NEW YORK TIMES Olivia, the young narrator of this beautiful novel, and her Japanese-American family are constantly on the road, looking for a home in the 1950s.
The stunningly beautiful and richly colored Japanese wood-block prints that represent the art form of Ukiyo-e first flourished in seventeenth century Edo (now Tokyo) and continue to captivate international audiences...
Pioneering oceanographer Curtis Ebbesmeyer unravels the mystery of marine currents, uncovers the astonishing story of flotsam, and changes the world's view of trash, the ocean, and our global environment.
A NEW YORK TIMES Notable Book of the Year. "Magical...THE FLOATING WORLD is about families, coming of age, guilt, memory...It is also about being Japanese-American in the United States in...
Geishas and the Floating World returns readers to a lost world of sensuality and seduction, rich with hedonism, abandon, and sexual and personal politics.
Featuring more than 150 works from the celebrated Weston Collection, the most comprehensive of its kind in private hands and published here for the first time in English, this lavishly illustrated and meticulously researched volume ...
It can be argued that Japan contains a higher number of internationally significant architects and designers relative to its geographic size than anywhere else in the world.