During the five decades between 1910 and 1960, American society underwent tumultuous and far-reaching transformations. As the United States emerged as an international power of economic, industrial, and military might, Americans also witnessed two world wars and the Great Depression. Urbanization and new technologies altered all aspects of modern life, and an increasingly diverse population clamored for the opportunities promised by the American dream. In response to these dramatic changes, many American artists rejected or reformulated artistic traditions and sought new ways to portray contemporary life. Published in conjunction with a traveling exhibition of works from the world-renowned collection of the Brooklyn Museum, American Moderns, 1910 1960: From O'Keeffe to Rockwell explores the myriad ways in which American artists engaged modernity. Featured are 53 paintings and 4 sculptures, ranging widely in subject matter and style, by such artists as Marsden Hartley, Stuart Davis, Arthur Dove, and Max Weber, leaders of American modernism; Precisionists George Ault and Francis Criss; Social Realists Reginald Marsh and Raphael Soyer; and the folk-art icon Grandma Moses. The book's introduction sets the stage for six thematic sections, each with an introductory essay Cubist Experiments, The Still Life Revisited, Nature Essentialized, Modern Structures, Engaging Characters, and Americana tracing the period's dominant artistic developments. Interpretive text for each object and reproductions of comparative works provide further insight into how these artists shaped modern art.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...