German Renaissance artist Albrecht Dürer (1471-1528) is held up as perhaps the most significant artist of his time, particularly for his printmaking. The son of a Nuremberg goldsmith, Dürer was introduced early to the tools in his father's trade, as he was expected, naturally, to also become a goldsmith. When he was finally allowed to train as an artist, Dürer entered an apprenticeship with Michael Wolgemut, whose workshop created woodcuts for Anton Koberger, a local publisher and also Dürer's godfather. After four years, and with this strong artistic foundation, Dürer left Wolgemut's studio and traveled throughout Europe, encountering artists whose influence would have a lasting impression on his work.By age thirty, Dürer had already begun many of the works reprinted in this coloring book. Over the next few decades, he created woodcuts and engravings that revolutionized printmaking as a form of fine art. His technical brilliance grew, resulting in works that are considered a trio of masterpieces: Knight, Death, and the Devil; Melencolia I; and Saint Jerome in His Study. Along with these three engravings, we have included numerous independent prints and selections from his series the Apocalypse, the Small Passion, the Large Passion, the Engraved Passion, and the Life of the Virgin. Each is intense and fascinating.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...