This book is a history of the development of commercial illustration and the graphic arts industry in Canada from the late eighteenth century to the 1940s. It suggests that the foundations of Canadian art and a Canadian popular culture rest not only within the European traditions of fine art but also with the work of those artists who practised in the commercial environment of the early graphic arts houses. It is also a history of a type of "work" that was new during this period. The mechanized reproduction of art works in the nineteenth century meant that artists found themselves within an industrial atmosphere similar to that of other workers. This history traces the beginning of that process in England, follows its transference to Canada, and demonstrates how illustrators, engravers, photo-engravers, and lithographers became part of an increasingly commercially oriented industry. It was an industry of major importance in the fields of printing and new forms of advertising, but it was also an industry that led to a change in status for the members of its work force who considered themselves to be artists. The study is not concerned with aesthetic values of works of art or with the impact that commercially produced art work has had on consumer culture. Rather, it seeks to understand artists as workers, and work itself, within the changing commercial and industrial milieu of nineteenth- and early-twentieth-century Canada.
Ltd. Pearson Education North Asia , Ltd. Pearson Education Canada , Ltd. Pearson Educación de Mexico , S.A. de C.V. Pearson Education Japan Pearson Education Malaysia , Pte . Ltd. For more information , please go to www.ft-ph.com ...
方李莉(1956~ ),女,江西人,中央工艺美术学院博士生
40 P.T. Rosenberg , ' Doelengebouwen en doelenterreinen in de Hollandse steden , in : M. Carasso - Kok en J. Levy - van Helm ( eds . ) , Schutters in Holland ( Zwolle - Haarlem 1988 ) , 55 e.V. 41 Reg AA Coll . Aanw . 14 ( p .
A number of cities are promoting themselves as slow cities . There is an organisation , there is a club , and there is a slow food movement . It started in Italy where they could choose between good food and slow food , and the founder ...
This is about social innovation and organisational transformation through the Arts.
... El Farol 5 (October 1939), such diagrams would appear on consecutive issues through El Farol 9 (February 1940), with the exception of the Christmas-themed El Farol 7 (December 1939). Additional oil production charts appear on the back ...
Philip Morris and the Arts: A 30-year Celebration
Philip Morris and the Arts