In Deformed Discourse David Williams explores the concept of the monster in the Middle Ages, examining its philosophical and theological roots and analysing its symbolic function in medieval literature and art.
Now published in paperback, this fully-illustrated book explores the concept of the monster in the Middle Ages, examining its philosophical and theological roots and analysing its symbolic function in medieval literature and art.
In Deformed Discourse David Williams explores the concept of the monster in the Middle Ages, examining its philosophical and theological roots and analysing its symbolic function in medieval literature and art.
Such a critique [of rational discourse] is created through a certain dismantling of rational and logical concepts in which conventional signs of these concepts are deformed in ways intolerable to logic so as to'show forth' (monstrare, ...
Hobbes, Thomas, The Questions concerning Liberty, Necessity, and Chance clearly Stated and Debated between Dr Bramhall, Bishop of Derry, and Thomas Hobbes of Malmesbury (1656). EEBO. 25 March 2007. Hogarde, Miles, The Displaying of the ...
See also Williams , Deformed Discourse , pp . 286–97 , for a а discussion of St Christopher , which , however , is flawed by the incorrect assumption that the saint was invariably understood as a cynocephalus .
Martin Heidegger, “Chemins,” cited in Williams, Deformed Discourse, p. 330. Teresa Ebert, “The Romance of Patriarchy: Ideology, Subjectivity, and Postmodern Feminist Cultural Theory,” Cultural Critique 10 (1988): ...
These essays also look at vampire films through lenses of gender, post-colonialism, camp, and otherness as well as the evolution of the vampiric character in cinema worldwide, together constituting a mosaic of the cinematic undead.
That would be impossible: deformity and hybridity always define themselves against a backdrop of normalcy (a point taken up in ... Williams, Deformed Discourse: The Function of the Monster in Mediaeval Thought and Literature (Montreal: ...
In this engaging study Jean Dangler examines the way that ideas of difference were forged in four types of medieval Iberian discourse: muwashshah/jarcha poems from al-Andalus, Andalusi cutting poems, medical...
Camille , Gothic Idol , 203 ; David Williams , Deformed Discourse : The Function of the Monster in Mediaeval Thought and Literature ( Montreal : McGillQueen's University Press , 1996 ) , 133–34 . 5. Images of Cerberus , the Classical ...