Winner of the Gabrielle Roy Prize in English and the Raymond Klibansky Prize, The Picturesque and the Sublime is a cultural history of two hundred years of nature writing in Canada, from eighteenth-century prospect poems to contemporary encounters with landscape. Arguing against the received wisdom (made popular by Northrop Frye and Margaret Atwood) that Canadian writers view nature as hostile, Susan Glickman places Canadian literature in the English and European traditions of the sublime and the picturesque. Glickman argues that early immigrants to Canada brought with them the expectation that nature would be grand, mysterious, awesome – even terrifying – and welcomed scenes that conformed to these notions of sublimity. She contends that to interpret their descriptions of nature as "negative," as so many critics have done, is a significant misunderstanding. Glickman provides close readings of several important works, including Susanna Moodie's "Enthusiasm," Charles G.D. Roberts's Ave, and Paulette Jiles's "Song to the Rising Sun," and explores the poems in the context of theories of nature and art. Instead of projecting backward from a modernist perspective, Glickman reads forward from the discovery of landscape as a legitimate artistic subject in seventeenth-century England and argues that picturesque modes of description, and a sublime aesthetic, have governed much of the representation of nature in this country. Susan Glickman is a poet living in Toronto. She is the author of Complicity, The Power to Move, Henry Moore's Sheep and Other Poems, and Hide and Seek.
This collection has proven itself to be an extremely valuable tool for teachers of theatre and creative writing for young people.
Orphan Anne has always dreamed of being part of a proper family. So when she's chosen to go and live with the Cuthberts, life looks grand. But the Cuthberts wanted a little boy to help them on Green Gables farm, not a girl.
... are in the centres , and in Canada there was a generation of woman poets just before MacEwen's who hadn't heard yet that they were supposed to just be : Phyllis Webb , Anne Wilkinson , Jay Macpherson , P. K. Page , Margaret Avison .
He is related to the Faust figure , to Byron's Manfred , to Satan in Paradise Lost . He is one of the , men of the modern age who wishes to throw off social and philosophical chains and realize himself in a redefinition of humanity .
Crouch behind boulders , at night yes but not now and there are no boulders , they've pulled themselves back into the earth just when I need them . Flight , there's no alternative , though I'm praying the power has deserted me , nothing ...
Both the Indian and the constable concurred , the constable going so far as to compliment Poseidon on the way he was hung , though in fact it was the Indian who had witnessed the consummation . Thus truth passes into legend .
to Rayner Heppenstall , Orwell was still working at the bookshop which provided part of the background while he was actually writing the novel . Antichrist , the review edited by Ravelston , is a caricature of the Adelphi .
Emerge: The Writer's Studio Anthology 2003
A national bestseller in Canada and a New York Times bestseller in the United States, this is a book destined to become a beloved fiction classic.
Thisamazing new anthology is centered around tested stories that professors around thecountry have told us work in their classrooms.Open Country, Canadian Literature in English includes poetry and short stories fromearly Canadian Literature ...