Cannibal Tours and Glass Boxes poses a number of probing questions about the role and responsibility of museums and anthropology in the contemporary world. In it, Michael Ames, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternate perspective which reflects his experiences from many years of museum work. Based on the author's previous book, Museums, the Public and Anthropology, the new edition includes seven new essays which argue, as in the previous volume, that museums and anthropologists must contextualize and critique themselves -- they must analyse and critique the social, political and economic systems within which they work. In the new essays, Ames looks at the role of consumerism and the market economy in the production of such phenomena as worlds' fairs and McDonald's hamburger chains, referring to them as "museums of everyday life" and indicating the way in which they, like museums, transform ideology into commonsense, thus reinforcing and perpetuating hegemonic control over how people think about and represent themselves. He also discusses the moral/political ramifications of conflicting attitudes towards Aboriginal art (is it art or artifact?); censorship (is it liberating or repressive?); and museum exhibits (are they informative or disinformative?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through one professional anthropologist's concerns about, and hopes for, his discipline and its future.
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3 H.Beck (1985) 'Von der Kunstkammer zum bürgerlichen Wohnzimmer', in H.Beck and P.C.Bol (eds) Natur und Antike in der ... 1 'Von der natürlichen Zuneigung eines jedweden Menschen zur Betrachtung der Natur', see especially §1, 17 Major, ...
The essays examine the complexity of the museum from cultural, political governance, curatorial, historical, and representational perspectives.
Snow was correct in stating that the artists and scientists of his era (and also currently) were educated in either the humanities or sciences: at the heart of that two cultures debate is the role that binary thought has played ...
... 19, 154, 216; at repatriation ceremony, 204-8; and visiting sessions, 107-8,119,121, 168 Williams-Davidson, Terri-Lynn, 226 Wilson, Andy, 20, 207 Wilson, Desiree, 153(i), 181 Wilson, Nadine: on expertise, 251; and Haida treasures, ...
... box / , / and / . K.O.L. Burridge, “Epilogue: e Eulogy Given at Wilson Du's Memorial Service,” in Abbo , ed., ; WD, Notes ... Cannibal Tours and Glass Boxes: e Anthropology of Museums (Vancouver: UBC Press, ), passim. Robin Ridington, “e ...
With savage plotting and breakneck suspense that ends in a shattering cataclysm of violence, Wake Up Dead confirms Roger Smith as one of the world's best new thriller writers.
The book examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-called "native experiences.
Updated to reflect the latest developments in twenty-first century museum scholarship, the new Second Edition of Museum Studies: An Anthology of Contexts presents a comprehensive collection of approaches to museums and their relation to ...
... Cannibal tours, glass boxes and the politics of interpretation', in S. Pearce (ed.) Interpreting Objects and Collections, London: Routledge, 1994, pp. 98–105; T. Bennett, 'Stored virtue: memory body and the evolutionary museum', in P ...