This study examines a number of previously overlooked or undervalued women detective fiction writers of the late 19th and early 20th centuries and traces their relationship to later women writers who shaped the future of the genre: Dorothy Sayers, Agatha Christie, and Gladys Mitchell. This work argues that their use of the female detective character served as a means through which they were able to establish their professional authority in the detective fiction genre. Women writers employed a variety of narrative strategies to explore the tensions between society's underlying domestic ideology and women's entrance into the work force during this time period. Creating female detectives and employing these narrative strategies helped women writers establish professional authority by providing them with ways of expressing their ability to write in this genre and adapting it as a vehicle for women's writing. The study examines the critical importance of early female detectives. Many critics and editors have dismissed these early detectives as conventional and trite, ignoring the genre's rich variety. Yet female fictional detectives appear as both paid professionals and gifted amateurs; single, married, widowed; older spinsters and young adventurers; detecting for pleasure and to clear their own or a loved one's name. In choosing to create female detectives who were both varied and unusual, women writers confronted some of their own literary anxieties and ultimately were able to explore the ways they would create new routes to women's authority within a male-dominated culture and specifically in the genre of detective fiction.
Carmen Callil, Subversive Sybils: Women's Popular Fiction this Century (Bury St Edmonds: St Edmundsbury Press Ltd., 1996), p. 15. 19. Ibid., p. 6. 20. Walton and Jones, Detective Agency, p. 37. 21. Merja Makinen, Feminist Popular ...
The 74 handpicked stories in this collection introduce us to the most determined of gumshoe gals, from debutant detectives like Anna Katharine Green's Violet Strange to spinster sleuths like Mary Roberts Rinehart's Hilda Adams, from ...
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Quoted in Clarice Feinman , Women in the Criminal Justice System , 3rd ed . ... Department History , " Police Department ( Portsmouth , New Hampshire ) ... Famous Policewoman Urges Prevention of Crime . " 65. Schulz , From Social Worker ...
Since then considerable progress has been made, and female authors have created a very individual way of writing detective novels. However, experts still disagree on a clear definition of the female crime novel.
Her scholarly interests include popular culture ( especially film and detective fiction ) , regionalism , autobiography ... With Jane S. Bakerman , she is co - author of Adolescent Female Portraits in the American Novel : 1961-1981 : An ...
The essays in this collection grapple with a wide range of issues important to the female sleuth – the most important, perhaps, being the oft-heard challenge to her suitability for the job.
The Lady Investigates: Women Detectives and Spies in Fiction
First of all, I am going to summarize the history of detective fiction and fictional detectives created by women writers to demonstrate the prevailing conventions of the genre and the way these are converted in the book.
Yet, a year later Alcott did write her final thriller under her own initials (“L. M. A”): “Perilous Play” (Frank Leslie's Chimney Corner, VIII. 3 February 1869). This story involved a heroine, Rose St. Just ...