This study examines the major works of contemporary American television and film screenwriter Joss Whedon. The authors argue that these works are part of an existentialist tradition that stretches back from the French atheistic existentialist Jean-Paul Sartre, through the Danish Christian existentialist Soren Kierkegaard, to the Russian novelist and existentialist Fyodor Dostoevsky. Whedon and Dostoevsky, for example, seem preoccupied with the problem of evil and human freedom. Both argue that in each and every one of us "a demon lies hidden." Whedon personifies these demons and has them wandering about and causing havoc. Dostoevsky treats the subject only slightly more seriously. Chapters cover such topics as Russian existentialism and vampire slayage; moral choices; ethics; Faith and bad faith; constructing reality through existential choice; some limitations of science and technology; love and self-sacrifice; love, witchcraft, and vengeance; soul mates and moral responsibility; love and moral choice; forms of freedom; and Whedon as moral philosopher.
“Thanatology,” the formal study of dying, grief, and the psycho-social aspects of losing a loved one, was the foundation for Dr. Elizabeth Kubler-Ross's groundbreaking research and bestselling classic, On Death and Dying.
His renown has only grown with subsequent creations, including Angel, Firefly, Dollhouse, and the innovative online series Dr. Horrible's Sing-Along Blog.
Revisit the worlds of Joss Whedon … with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse's most terrifying villain?
His renown has only grown with subsequent creations, including Angel, Firefly, Dollhouse, and the innovative online series Dr. Horrible's Sing-Along Blog.
This collection of articles represents some of the best work covering a wide array of topics that clarify Whedon’s importance, including considerations of narrative and visual techniques, myth construction, symbolism, gender, heroism, and ...
“Free Will in a Deterministic Whedonverse.” In The Psychology of Joss Whedon, ed. Davidson, Joy (Dallas: BenBella, 2007), 35–50. Foy, Joseph J. “The State of Nature and Social Contracts on Spaceship Serenity.” In The Philosophy of Joss ...
This collection of new essays explores his representations of racial power dynamics between individuals and institutions and how the Whedonverse constructs race, ethnicity and nationality relationships.
... Carol 110, 127 Poole, W. Scott 218 Pope John Paul II 91 Pornography 83, 84, 110 Porter, Heather M. 136, 199, 213, 229 Porter, Lynnette 14, 199, 206 Porter, Nicole 144 Porter, Patrick J. 85, 113, 132, 144 Postfeminism: in Buffy 72, ...
In fact, Buffy is voted out of her position as leader of the potential slayers and asked to leave her community and her ... Nonetheless, as certain aspects of the corporation's activities and goals become clear to her and her employees, ...
From a product placement standpoint, it'sapity that Robert Armin isn't alive today to play Whedon's Captain Hammer; in ages yetto comescholars could have compared the Fillion Hammer with the Armin Hammer. If Shakespeare werealive today, ...