"Best known as the writer of the lyric for the song "Who's Afraid of the Big Bad Wolf," and "Willow Weep for Me," Ann Ronell was also a translator and orchestrator for operatic works. This biography traces Ronell's life, marriage and friendships. Includes
For nearly a century, New York's famous Tin Pan Alley was the center of popular music publishing in this country. It was where songwriting became a profession, and songs were...
Drawing on previously untapped archival sources and on scores of interviews - the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert - the book illuminates broad musical trends through a series of intertwined stories.
United States Popular Music Collection, 1900-1920; 1920-1940; 19411945. INTERVIEWS Margarethe R. Bartholomew, Natchitoches, La., 20 April 1994. Billy Harrington, Natchitoches, La., 30 May 1994. MUSIC LYRICS Adair, Tom, and Dick Hull.
The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, ...
Many books have been written about Tin Pan Alley--the colloquial name assigned to popular music before the advent of rock 'n' roll--yet little is available about the individual songs defining...
The Wounded Hussar ( 1800 ) by Hewitt was one of the most popu- ' lar sheet music items from 1800 to 1810 , dealing with the tragedies of war . Early American Songwriters The first important songwriting movement in the United States was ...
SONG LYRIC BY GUS KAHN MUSIC BY ISHAM JONES JEROME H. REMICK & 6 NEW YORK DETROIT In popular American dance music , every generation has had its own “ good night song , ” a well - known tune that signals the end of the evening .
Patricia Ziegfeld, The Ziegfelds' Girl (Boston: Little, Brown and Company, 1964), 183. 97. Philip Furia, “Buddy DeSylva and Lew Brown,” Dictionary of Literary Biography, Vol 265: American Song Lyricists, 1920-1960, ed.
Ed. John A. Garraty and Mark C. Carnes. Vol. 18. New York: Oxford UP, 1999. 682–83. Bordman, Gerald. American Musical Theatre: A Chronicle. 2nd ed. New York: Oxford UP, 1992. Cox, Karen L. Dreaming of Dixie: How the South Was Created in ...
2 The lyric by Michael Rourke, writing under the pen name of Herbert Reynolds, skillfully weaves a romantic idea around the catchphrase title, shifting from “They Didn't Believe Me” to “They'll never believe me” when the singer's ...