This is a comprehensive sourcebook on the world’s most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker’s original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
Presented here, for the first time since their publication over a century ago, are twelve previously unknown published works of fiction, poetry, and journalistic writing by Bram Stoker (1847-1912), three works never before reprinted, twelve ...
I hope Norton's vital new addition to the conversation about Stoker's work will cause readers to look at this old story with new eyes: to question our preconceptions and refocus our own narrative lenses.
Offering a multifarious perspective, this volume is a reference work that will be useful to both academic and general readers. This volume analyses the role of Bram Stoker’s Dracula and its sequels in the evolution of the Gothic.
The Dead That Walk: Dracula, Frankenstein, the Mummy and Other Favorite Movie Monsters. New York: Continuum, 1988. ... “The Life Story of Dracula.” Monsters of the Movies 1, ... The Illustrated Vampire Movie Guide. London: Titan Books ...
This book examines the way that Romania has negotiated Dracula tourism over the past four decades. During the communist period (up to 1989) the Romanian state did almost nothing to encourage such tourism but reluctantly tolerated it.
As a resource for researchers or fans of Dracula, this volume is a welcome addition to all libraries. Revelation of the recently discovered Hungarian translation illustrates once again the importance of ongoing research.
The contributors to these essays will be primarily female writers/scholars on films that focus on the female vampire—very often lesbian and/or bisexual—and the social implications of such films.
The Changing Vampire of Film and Television:A critical study of the Growth of the Genre. Jefferson: McFarland. Kemp, P. S. (2001). Bloodgod. Bracknell: Decapita Publishing. King , S. (1975). 'Salem's Lot (Illustrated ed.).
When Anna asks him to ride the ferris wheel at a local street festival, he says: 'I'm kinda afraid of heights.' Sam is a timid loner; Anna, on the other hand, is impulsive, confident and predatory. In an interview, Fessenden has said: ...
A look at vampire movies from the first one in 1909 up until the present day and "Dracula Untold" with trivia questions and answers, also a look at "Karl Vincent: Vampire Hunter" novels and comic books.