In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary. The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Saša Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive "normalization" after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution.
Their comments reflect the moral and spiritual crisis that pervades the Czech Republic today. At the heart of their struggle is the role moral integrity plays in determining the fate, not only of an artist, but perhaps an entire nation. .
The Czechoslovak New Wave was originally published in 1985 and was quickly established as the world's leading authoritative English-language text. A study of the most significant movement in post-war Central...
Hoberman, J. and Jonathan Rosenbaum. Midnight Movies (New York: Harper and Row, 1983). Hoberman, J. The Red Atlantis: Communist Culture in the Absence of Communism (Philadelphia:Temple University Press, 1998). Holý, Ladislav.
The objective of the book is to discuss the main types of men populating Polish, Czech and Slovak films: that of soldier, father, heterosexual and homosexual lover, against a rich political, social and cultural background.
... film , 1930–45 . Prague : Filmový ústav . Bernard , Jan ( 1994 ) Evald Schorm a jeho filmy : Odvahu pro všední den . Prague : Primus . Buchar , Robert ( 2004 ) Czech New Wave Filmmakers in Interviews . Jefferson and London : McFarland ...
... Czech reformsultimately failed because the most important phenomena ofdemocratisation remained within the controlof ... New Wave continues to reveal itself. Here theinfluence of the former New Wave director Karel Vachekhas been important ...
Rosenthal, Alan, The New Documentary in Action: A Casebook in Filmmaking, Berkeley: University of California Press, 1971. Rotha, Paul, Documentary Film, London: Faber and Faber, 1952 (revised 1963, 1968).
Although the Dani had already encountered the Western world and industrial modernity before the Harvard-Peabody expedition ... Heider completed his PhD dissertation, The Dugum Dani (1970), Broekhuijse authored De Wiligiman-Dani (1967), ...
Billy Wilder. Boston, MA: Twayne. Germünden, G. (2008). A foreign affair: Billy Wilder's American films. ... Billy Wilder. Bloomington, IN: Indiana University Press. McNally, K. (Ed.). (2011). Billy Wilder, movie-maker: Critical essays ...
How Communist rule was installed in Czechoslovakia in the later 1940s has also generated considerable literature. Recently Bradley F. Abrams challenged existing conventions on indigenous Czech sympathy for Communism in The Struggle for ...