Back in the era of black-and-white horror and sci-fi movies, “we didn’t have special effects, or the money for ’em,” says Peter Graves, one of the genre’s most popular stars. “But in those days, an unlimited amount of money wouldn’t have gotten us much better special effects, because they didn’t exist. We had to go with the stories and try to make them as believable as possible, and flash the outlandish things by quickly, so the audience never got a good, in-focus look at them!” Perhaps no films attracted more rabid fans and less critical acclaim than the genre movies of that era. The men and women who made the characters come to life are interviewed here, talking about their work, the behind-the-scenes action, and the impact the movies had on their careers. The interviewees are Gene Barry, Gary Clarke, Gary Conway, Merian C. Cooper, Robert Dix, Donnie Dunagan, Alex Gordon, Peter Graves, Gary Gray, Arch Hall, Jr., Stephen Kandel, Carolyn Kearney, Ken Kolb, Robert L. Lippert, Jr., Jan Merlin, Mary Mitchel, Elliott Reid, Stanley Rubin, Frankie Thomas and Burt Topper. Extensively illustrated.
... Edward D., Jr. 88, 91,219 Woodell, Pat 374,376, 378,379, 380, 381 Wooland, Norman 340 Worley, Jo Anne 213 Wray, Fay 11 Wright, Ben 173 Wright, Frank Lloyd 123,132 Written on the Wind (1956) 158 Wurtzel, Paul 159–71, 169 Wurtzel, ...
54, 66, 100; Katz, The Film Encyclopedia, pp. 3034304; www.imdb.com. 60. Katz, The Film Encyclopedia, p. 1,967; New York Times, April 19, 1992; www.imdb.com. Chapter Nine 12. Weaver, Earth vs. the Sci—fi Filmmakers, pp. 202* 203. 13.
Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences squeal with fear, and occasionally, howl with laughter.
Right around this time they had one of their yearly fires in Bel- Air, and some very beautiful mansions were destroyed — Burt Lancaster lost his home, Zsa Zsa Gabor, people like that. Joe called me and said, "Listen, I'll get a police ...
This book turns a long-overdue spotlight on many who made memorable contributions to that crowded, exhilarating filmmaking scene.
Buck was interviewed for the part of the guy, but he wasn't quite right for it. Buck was quite overweight—he weighed maybe close to 400 pounds. Arch Hall wanted somebody humongous but not that heavy. So, in a moment of benevolence, ...
I have to assume, now that it's too late to ask Pate to elaborate (he died in 2008), that by “your boys” he was referring to Cottrell and Farley. William Phipps, one of the members of the Laughton acting group who was not gay, ...
“[Graeff] told everyone he would pay when the whole thing was finished,” claimed ursula Pearson. “I think the only thing he actually paid for was the [raw] film.” and, of course, nobody actually got paid, least of all its backers.
In ¡983, Robert Marko- witz put Maximilian Schell and Jane Seymour through their paces in a second television ... [F]rom adroit showmanship and highest skills from all ... production departments to back up the superb performances.
Earth vs. the Sci-Fi Filmmakers: Twenty Interviews. Jefferson, nC: McFarland, 2005. Newspapers and Periodicals holl. (reviewer pseudonym) “red Planet Mars.” Variety. May 14, 1952. atkinson, Brooks. “at the theatre.” The New York Times.