There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda’s I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.
Italian Horror Movies: 1960-2012
The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating ...
Baschiera, S. and Di Chiara, F. (2010), 'A Postcard from the Grindhouse: Exotic Landscapes and Italian Holidays in Lucio Fulci's Zombie and Sergio Martino's Torso', in Weiner, R. and Cline, ... Church, D. (2015), Grindhouse nostalgia.
Bertolucci's work also spans the millennia, although I sognatori/The Dreamers (2003), a refiguration of the student riots in Paris in 1968, is constructed through the optic of personal nostalgia and fantasy, and its many prurient, ...
This is a forty year journey through Italian horror films. This book grants producers, directors, screenwriters, make-up artists, and actors an opportunity to express their views and opinions, as well...
He subsequently teamed up with Merian C. Cooper, his collaborator on Grass and Chang, to make The Most Dangerous Game (The Hounds of Zaroff) (1932), a jungle horror film that Schoedsack codirected with Irving Pichel and that Cooper ...
The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity.
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror, as well as his influence on modern horror and slasher ...
The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts.
This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this “yellow” cycle of crime/horror films.