Describes the life, dancing, and choreography of Alvin Ailey, who created his own modern dance company to explore the black experience.
ing that Gary Harris , the Y's stage manager , recalled with wonder nearly four decades after the premiere . Harris knew it was a good idea to try to hire an extra technician to meet the challenge of Alvin's theatricality and ...
“In James E. Ransome’s realistic pastel portraits, Battle, his family, and his teachers all seem lit from within.” —The New York Times Book Review A boy discovers his passion for dance and becomes a modern hero in this inspiring ...
For example , in 1964 he codirected a production of Langston Hughes's Jerico - Jim Crow ( 12 January 1964 ) . A music travelogue performed in a Greenwich Village church , the production featured a gospel choir singing spirituals while ...
A biography of Alvin Ailey, discussing his early life, his introduction to dance, and his rise to international fame as a dancer and choreographer.
Revelations: The Autobiography of Alvin Ailey relates the powerful story of one man's painful search for identity despite a lifetime of remarkable achievement. For the first time, Ailey speaks about...
Photographs capture highlights of thirty seasons of productions by the Alvin Ailey American Dance Theater
The Alvin Ailey American Dance Theater
Dance should be "art and entertainment," said Alvin Ailey, creative genius behind the world-famous Alvin Ailey Dance Theater company. Colorful, energetic, and theatrical, Ailey's work appeals to people from all...
A creative union was forged in 1961 between dynamic choreographer Alvin Ailey and Jack Mitchell, who was already known as the preeminent photographer of dance. Ailey thought in photographic terms...
American Studies 35 (Spring 1994): 25–45. Franko, Mark. ''Abstraction Has Many Faces: ... Friedman, Kim C. ''The Federal Dance Theatre in New York City: Legislative and Administrative Obstacles.'' M.A. thesis, American University, 1992.