In his fascinating survey, art historian Omar Calabrese reveals that self-portraits through the ages are both a reflection of the artist and of the period in which the artist lived. Organized thematically, the author first presents a basic definition of the genre of the self-portrait, interpreting the picture to be a manifestation of self identity, and including examples from an Egyptian tomb painting and pictures on stained glass during the Middle Ages and continuing to modern times. The next chapter focuses on the turning point for the establishment of the genre during the Renaissance when the status of the painter or sculptor was raised from artisan to artist and, as a result, portraits of the artist were considered worthwhile pictures. At first a self-portrait was hidden in a narrative painting: an artist would paint his image as part of a crowd scene, for example, or as a mythological figure. On the other extreme, once the genre was accepted, it was practiced by some artists—Rembrandt, van Gogh, Munch, and Dali, for instance—as almost an obsession. In contemporary art the self-portrait can become a deconstructed genre with the artist hiding or satirizing himself until he nearly disappears on the canvas. Among the 300 pictures featured here are examples by such artists as Albrecht Dürer, Velazquez, Elisabeth Vigée-Lebrun, Ingres, Degas, Toulouse-Lautrec, Gainsborough, Matisse, James Ensor, Egon Schiele, Frida Kahlo, Man Ray, Henry Moore, Robert Rauschenberg, Norman Rockwell, and Roy Lichtenstein. This intriguing book is a fresh way to appreciate the history of art and to understand that a self-portrait is far more complex and meaningful than merely a portrait of the artist.
Sixty of the world's most famous artist's self-portraits are shown in full-page reproductions. Each includes a biography of the artist; an in-depth examination of the portrait details; and how it...
Fourteen artists and picture book illustrators present self-portraits and brief descriptions that explore their varied ethnic origins, their work, and their feelings about themselves.
The first survey of women's self-portraiture to be focused exclusively on painting, this book opens with an original attempt to reconstruct from contemporary accounts the work of artists of antiquity...
Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt, and Warhol.
The self-portrait is an artist’s most intriguing vehicle for analysis and self-expression. Serving a dual role as both creator and subject, artists are offered unusual freedom; as a result, self-portraits...
This catalogue explores the development of self-portraiture in Europe from the seventeenth to the nineteenth century, from Rembrandt to Sickert. It examines the diverse ways in which artists have sought...
Exploring what motivates artists to paint or photograph themselves, the author selects over 100 self-portraits from the National Portrait Gallery to examine the style, techniques and personalities of the sitters,...
An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries.
That is , they become the marginalised , unframed ' other ' to elite art . Yet again , Semmel's deliverance from the mirror challenges the propriety of what is within the frame of her work . This is not the high art nude , framed for ...
... Gauguin's Paradise Remembered (Catalogue) ed. Calvin Brown and Alastair Wright, Princeton University Art Museum, New Haven, Connecticut: Princeton University Press. 2010, 49–101, note 47,96. See also Wildenstein, Catalogue raisonné I ...