"Maureen Quilligan here examines Spenser's Faerie Queene and Milton's Paradise Lost in an attempt to define the means by which they move their readers, through the power of language, to make ethical and political choices. Quilligan addresses questions that deepen our understanding of the social instrumentality of these epic poems: How do the writers make rhetorical appeals to their readers? How can the reader's interpreting presence be detected in the text? How do Spenser and Milton address arguments to readers specifically in terms of their gender? Asserting that Milton and Spenser were extraordinarily sensitive to the presence of the reader in their construction of narrative, Quilligan looks closely at Milton's appropriation of Spenser's techniques for implicating the reader's self-consciousness in the interpretation of the text. She demonstrates that both Milton and Spenser address specific political arguments to an identifiably female reader, and elevate sexual intimacy to the status of an epic subject"--Jacket.
But by keeping the Prince out of sight for much of the poem, Spenser ran the concomitant risk of Are thur becoming no hero at all. This difficult balancing act, as we have seen in chapter 1, is a typical feature of the primary hero.
Like Spenser, Lewis shows that the same seashore can present either touching beauty or heartbreaking di‡culties. Both authors present a sea that can make characters think or weep. This duality reflects the biblical attitude toward the ...
Albert R. Cirillo explores the noonday tradition in relation to Paradise Lost , drawing in the midday devil of Psalm 91 : 6 ( Vulg . daemonic meridiano ) . The devil that comes to the fore in ... Gordis , cited in Wallace , 119-21 . 36.
Steadman suggests that these poets, along with most other Renaissance poets, did not actually regard themselves as divinely inspired but, rather, resorted to a common fiction to create the appearance of having special insight into the truth ...
Examination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself.
These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.
and on the ground Sadly sits the Assyrian Queen ; But far above in spangled sheen Celestial Cupid her fam'd son advanct , Holds his dear Psyche sweet entranct After her wandering labors long , Till free consent the Gods among Make her ...
Chaucer, Geoffrey 8 Children's literature 3, 7 Christian Fantasy: From 1200 to the Present 172n Christianity 7, 9, 10, 13, 14, 16, 17, 33–34, 37–38, 57, 72, 78, 79, 84, 95, 112, 120, 130, 135–157, 160, 169 n Christmas 24 Christopher, ...
Edited with an introduction by Rudolf Kirk . 1594. Reprint . New Brunswick , N.J .: Rutgers University Press , 1939 . Lloyd , A. C. “ Emotion and Decision in Stoic Philosophy . ” In The Stoics , edited by J. M. Rist .
Chaucer, Spenser, Milton: Mythopoeic Continuities and Transformations