Mihai Spariosu here explores the significance of the closely linked concepts of play and aestheticism in philosophical and scientific discourse since the end of the eighteenth century. Spariosu points out that since its birth in archaic and classical Hellenic thought the concept of play has always been subject to the influences of various rational and prerational sets of values. Spariosu maintains that there have been not one but two major modern concepts of aestheticism: artistic aestheticism, related to a prerational mentality and introduced in modern thought by Schopenhauer and Nietzsche; and philosophicalscientific aestheticism, initiated by Kant and Schiller and shaped by rationalism. According to Spariosu, the first has often arisen in response to the attempts of philosophy and science to impose their standards on art, and the second has often been called on to deal with the epistemological crises that periodically shake these disciplines. Spariosu also looks closely at some of the play concepts that surface in modern science in connection with the Darwinian theory of evolution and the play of scientific discourse itself, as exemplified by the new physics and the contemporary philosophy of science. A penetrating and cogently argued book, Dionysus Reborn will be welcomed by readers interested in Continental philosophy, scientific discourse, and the aesthetics of play, including literary theorists, comparatists, philosophers, intellectual historians, and social scientists.
This thesis argues that the contemporary artist's objective is the production of new social space and the institution of new cultural knowledge.
Stam , Inquiries into the Origin of Language , p . 128. Elsewhere , p . 118 , Stam refers to the Abhandlung as Herder's “ irreverent and ironical treatise . ” 45. I have profitably consulted the translation in On the 104 Herder's ...
Catalogue de l'exposition s'interrogeant sur la notion de "beau" au XXe siècle, insistant sur la polémique et la politisation du débat dans les années 80 et 90.
Cities Built to Music: Aesthetic Theories of the Victorian Gothic Revival
System and Dialectics of Art: Annotated from Unpublished Writings
Moseley, Catherine. Conception: Conceptual Documents, 1968-1972. Norwich Gallery, Norwich, 2001. Naess, Arnold. Ecology, Community, and Lifestyle: Outline of an Ecosophy. Trans. David Rothenberg. Cambridge University Press, 1990.
And outside the walls , driving , one sees the city as an object on the land . Furthermore one observes with different eyes and feet and wheels its historic fabric .... for now vehicles must leave the city by a gate ...
Essays on Aesthetics and Language in Simone Weil Eric O. Springsted, John M. Dunaway ... is rather rude and ridiculous, but once again, I'm not a Simone Weil scholar, and the only thing I can talk about is what she has meant to me.
Le pli a toujours existé dans les arts, mais le propre du Baroque est de porter le pli à l'infini.
El autor analiza exhaustivamente los textos de aquellos autores considerados como antecedentes inmediatos del arte y la literatura barrocos, haciendo especial hincapié en los clásicos de la belleza y el ingenio, de la nueva concepción de ...