Why, Timothy Melley asks, have paranoia and conspiracy theory become such prominent features of postwar American culture? In Empire of Conspiracy, Melley explores the recent growth of anxieties about thought-control, assassination, political indoctrination, stalking, surveillance, and corporate and government plots. At the heart of these developments, he believes, lies a widespread sense of crisis in the way Americans think about human autonomy and individuality. Nothing reveals this crisis more than the remarkably consistent form of expression that Melley calls "agency panic"—an intense fear that individuals can be shaped or controlled by powerful external forces. Drawing on a broad range of forms that manifest this fear—including fiction, film, television, sociology, political writing, self-help literature, and cultural theory—Melley provides a new understanding of the relation between postwar American literature, popular culture, and cultural theory.
Empire of Conspiracy offers insightful new readings of texts ranging from Joseph Heller's Catch-22 to the Unabomber Manifesto, from Vance Packard's Hidden Persuaders to recent addiction discourse, and from the "stalker" novels of Margaret Atwood and Diane Johnson to the conspiracy fictions of Thomas Pynchon, William Burroughs, Don DeLillo, and Kathy Acker. Throughout, Melley finds recurrent anxieties about the power of large organizations to control human beings. These fears, he contends, indicate the continuing appeal of a form of individualism that is no longer wholly accurate or useful, but that still underpins a national fantasy of freedom from social control.
But the “ open form ” resulting from what Robert M. Adams calls an “ unresolved tension ” between Cervantes's pair " 3 may have provided a suggestive design along with adapted details . Twain himself , we know , greatly approved the ...
Here are more than 1,800 quotations, organized from A-to-Z, from America's consummate author--Mark Twain.
His research into modern religious faith and forms of spirituality is from a psychological and empirical perspective rather than intuitive or spiritual . The other primary male character in the novel is Plucky Purcell , who represents ...
for Palmer , she learns from his sadistic " lessons in manliness " ( II , 143 ) to harden her will and suppress the feminine longing for protection . The narrative moves quickly to Susan's success in overcoming her exploiter .
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Edward Hudlin maintains that the book follows very closely the structure of the heroic myth as outlined by Joseph Campbell ... Carol Pearson and Katherine Pope look at Dorothy's adventures from a mythological and feminist perspective.19 ...
The Cambridge Companion to Mark Twain . Cambridge : Cambridge UP , 1995 . Rose , Margaret . Parody : Ancient , Modern , and Post - Modern . Literature , Culture , Theory . Cambridge : Cambridge UP , 1993 . Rowe , John Carlos .
Chronicles the life and career of American author Herman Melville, uncovering autobiographical elements in his diverse works, discussing the historical and cultural implications of his writing, and assessing his accomplishments as a writer.
At whatever level of consciousness , this was Hurston's method of getting a predominantly white society to try on a different and African American subjectivity , one that appeals to the deepest of mythic archetypes .
KAREN TEI YAMASHITA (1951- ) 1 Robin E. Field ♢ BIOGRAPHY Karen Tei Yamashita, a third-generation Japanese American, ... nation and culture; and in an essay in her recent collection Circle K Cycles, she instead claims the term nikkei, ...