"The reasons for the conspicuous popularity of Ovid—his life as well as his works—at the turn of the new millennium bear investigation. . . . This book speaks of the new bodies assumed in the twentieth century by the poems and tales to which Ovid gave their classic form—including prominently the account of his own life, which has been hailed by many writers of our time as the archetype of exile. . . . I intend to suggest some of the reasons for Ovid's appeal to different writers and different generations."—from the PrefaceTheodore Ziolkowski approaches Ovid's Latin poetry as a comparatist, not as a classicist, and maintains that the contextualization of individual works helps place them in a larger tradition. Covering the period 1912–2002, Ovid and the Moderns deals with the reception of Ovid and of Ovid's works in literature. After beginning with a discussion of Giorgio de Chirico's Ariadne paintings of 1912 and the Hofmannsthal-Strauss opera Ariadne auf Naxos, Ziolkowski considers European literary landmarks from the High Modernism of Joyce, Kafka, Mandelstam, and Pound, by way of the mid-century exiles, to postmodernism and the century's end, when a surge of interest in Ovid was fueled by a new generation of translations. One of Ziolkowski's conclusions is that the popularity of Ovid alternates in a regular rhythm and for definable reasons with that of Virgil.
, Ovid, author of the groundbreaking epic poem Metamorphoses, came under severe criticism for The Art of Love, which playfully instructed women in the art of seduction and men in the skills essential for mastering the art of romantic ...
For instance, Sandys's rendition of Actaeon's fate reduces the hunter's violent demise: I am Actaeon, servants, know your Lord! Thoughts wanted words, High skies the noyse record [...] Now is no roome for wounds.
Repertorium van boeken gedrukt in Nederland tussen 1541 en 1600 (Nieuwkoop: De Graaf, 1998). Vanautgaerden, Alexandre, Érasme typographe. Humanisme et Imprimerie au début du XVIe siècle (Genève: Droz, 2012). Vandeweghe, Frank and Bart ...
interest in the tale is the emphasis on literacy / illiteracy : Philomela , even in the fragmentary Tereus , uses writing , not just images , in her ... The gods play a somewhat limited role in Ovid's version of the Tereus story .
"Printers in the early modern Low Countries produced no fewer than 152 editions of Ovid's Metamorphoses. John Tholen investigates what these editions can tell us about the early modern application of the popular ancient text.
In so doing, this book identifies two paradoxes: although an ancient poet, Ovid became key to the formulation of aspects of self-consciously 'modern' cultural movements; and while Ovid's work might have adorned the royal palaces of ...
Paul Barolsky, a specialist in Italian Renaissance art and literature, explores Ovid’s unparalleled influence on the visual arts, discussing works by many of the most famous artists of the past six centuries.
Carter explores early modern culture's reception of Ovid through the manipulation of Ovidian myth by Shakespeare, Middleton, Heywood, Marlowe and Marston.
In this book Sara Mack introduces Ovid to the general reader. After considering Ovid’s modernity, Mack surveys his poetry chronologically. Next she examines his most influential poems: the Amores, Heroides, Art of Love, and Metamorphoses.
This collection of original essays uses contemporary theory to examine Renaissance writers' reworking of Ovid's texts in order to analyze the strategies in the construction of the early modern discourses of gender, sexuality, and writing.