Aby M. Warburg (1866-1929) is recognized not only as one of the century's preeminent art and renaissance historians but also as a founder of twentieth-century methods in iconology and cultural studies in general. Warburg's 1923 lecture, first published in German in 1988 and now available in the first complete English translation, offers at once a window on his career, a formative statement of his cultural history of modernity, and a document in the ethnography of the American Southwest. This edition includes thirty-nine photographs, many of them originally presented as slides with the speech, and a rich interpretive essay by the translator. The presentation grew out of Warburg's 1895 encounter with the Hopi Indians, an experience he claimed generated his theory of the Renaissance. In this powerfully written piece, Warburg investigates the relationships among ethnography, iconography, and cultural studies to develop a multicultural history of modernity. As an independent scholar in Hamburg, Warburg led the intellectual circle that included Erwin Panofsky and Ernst Cassirer, pioneers in the investigation of cultural history through the analysis of visual art and the interpretation of symbols. When Warburg wrote this exposition, however, he was a mental patient in a Kreuzlingen sanatorium. Warburg's vulnerable state of mind lends urgency and passion to his discussion of human rationality and cultural demons.
Images from the Region of the Pueblo Indians of North America translates Aby M. Warburg's seminal study of the "serpent ritual" of the Hopi people, which grew out of a trip to the American Southwest undertaken by Warburg in 1895-1896.
The dramatic and tragic story of the only successful Native American uprising against the Spanish, the Pueblo Revolt of 1680.
... North American education. Yet closer study of Pueblo pagan religious formation and practice reveals an objective ... region have chosen to call their home. Apart from the narrow, furrowing valley in the northeast, through which the Rio ...
Drawing on the works of modern theorists and artists of myth such as Nietzsche and Wittgenstein, Joyce and Eliot, Mali redefines modern historiography and relates it to the older notion and tradition of "mythistory.
The Alternative History of an Idea Svetlana Boym. 25. Warburg, Images from the Region of the Pueblo Indians of North America. The lecture, entitled “images from the Region of Pueblo indians of north America,” was delivered brilliantly ...
In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day.
... and his analysis of several “discrete episodes in the history of American art displays in France . . . point[s] toward some inherent ... 26 For many viewers, American pop art appeared to enshrine the American commodity glut.
And while new methodologies have supplanted formalism and iconology , the tools of biographical discourse continue to prevail in art and art history alike . To illustrate the impact of biography on the construction of both past and ...
Native peoples of the United States and Canada have rich histories and traditions that help them maintain varied cultural identities in modern society.
... 1890–1990 , by Carol Poore , 2000 Schiller's Wound : The Theater of Trauma from Crisis to Commodity , by Stephanie Hammer , 2001 Goethe as Woman : The Undoing of Literature , by Benjamin Bennett , 2001 The Myth of Power and the Self ...