The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships. This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze. The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century.
These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.
In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the power of speech, the capacity to ...
The trailblazing 13th Floor Elevators released the first' 'psychedelic'' rock album in America, transforming culture throughout the 1960s and beyond.
The book provides a comprehensive state-of-the-art overview of current research on cognitive and applied aspects of eye movements.
Six psychics and Michael Gough, their nonpsychic control, are assembled in a remote house in Massachusetts by scientist Harold Morrison, who plans to train them to control events as they occur
This is a compendium of Bridget Riley's candid writings and interviews, revealing her thoughts on art, the development of her own work and her views on other artists including Seurat, Mondrian and Nauman.
Detect lies and explore countless things jumbled up in a person's mind by simply gazing into their eyes. Be the master of your own fate in poker games or simply figure out if someone is in love with you. This book has it all and more.
This volume, now fully revised and updated, reveals the mind behind this remarkable achievement, drawing together the most important texts and interviews of the last fifty years.
This volume brings together recent, high-quality eye-movement research from many different disciplines and, in doing so, presents a comprehensive overview of the state-of-the-art in eye-movement research.
The Eye, the Hand, the Mind, celebrating the centennial of the College Art Association, is filled with pictorial mementos and enlivening stories and anecdotes that connects the organization's sixteen goals and tells its rich, sometimes ...