Publisher description
First systematic theoretical study of the process in which works of literature are transformed into the medium of cinema. Draws on recent literary and cinema theory.
The Revenants series adapts a 2004 French film directed by Robin Campillo; In the Flesh is a nominal original created by Dominic Mitchell. Although In the Flesh presents an ambiance closer to most zompoc texts, showing the aftermath of ...
"Guerric DeBona's new book that makes a powerful case that film adaptiations are shaped as much by contextual forces as by their literary forbears.
As Ellis' commercial rhetoric suggests, there is an obvious financial appeal to adaptation as well. It is not just at times of economic downturn that adapters turn to safe bets: nineteenth-century Italian composers of that notoriously ...
... 192–193 pilgrimage 48–50 plagiarism 52, 196 pleasure principle 33 Plutarch 45, 59 poaching 125, 128 Poe, Edgar Allan: 'The Gold Bug' 200 Poole, Adrian 5, 152 Pope, Alexander: 'The Rape of the Lock' 9 Porter, Cole 26, ...
New Literary History 22: 1017–49. Moloney, Kevin. (1999) 'Publicists – Distribution Workers in the Pleasure Economy of the Film Industry.' Writing and Cinema. Ed. Jonathan Bignell. Harlow, Essex: Longman ...
Edward Fitzgerald. London: Gollancz, 1951. Storr, Anthony, Freud. Oxford: Oxford University Press, 1989. Strachey, William, 'A true repertorie of the wracke and redemption of Sir Thomas Gates, Knight' (1610), in Purchas his Pilgrimes.
This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.
(Dover thrift editions).
James Naremore, “John Huston and The Maltese Falcon,” in Luhr, The Maltese Falcon, John Huston, Director, 149–160. 45. Lucile Watsonas Maggie's aunt Ada anticipates herrole as Fanny Farrelly, mother of Sara Müller, played by Davis in ...