Many books discuss the theology and doctrine of the medieval liturgy: there is no dearth of information on the history of the liturgy, the structure and development of individual services, and there is much discussion of specific texts, chants, and services. No book, at least in English, has struggled with the difficulties of finding texts, chants, or other material in the liturgical manuscripts themselves, until the publication of Medieval Manuscripts for Mass and Office in 1982. Encompassing a period of several centuries, ca 1200-1500, this book provides solutions for such endeavours. Although by this period the basic order and content of liturgical books were more or less standardized, there existed hundreds of different methods of dealing with the internal organisation and the actual writing of the texts and chants on the page. Generalization becomes problematic; the use of any single source as a typical example for more than local detail is impossible. Taking for granted the user's ability to read medieval scripts, and some codicological knowledge, Hughes begins with the elementary material without which the user could not proceed. He describes the liturgical year, season, day, service, and the form of individual items such as responsory or lesson, and mentions the many variants in terminology that are to be found in the sources. The presentation of individual text and chant is discussed, with an emphasis on the organisation of the individual column, line, and letter. Hughes examines the hitherto unexplored means by which a hierarchy of initial and capital letters and their colours are used by the scribes and how this hierarchy can provide a means by which the modern researcher can navigate through the manuscripts. Also described in great detail are the structure and contents of Breviaries, Missals, and the corresponding books with music. This new edition updates the bibliography and the new preface by Hughes presents his recent thoughts about terminology and methods of liturgical abbreviation.
This volume is a practical guide to the Divine Office for students and scholars throughout the field of medieval studies.
This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in ...
1 See, for example, Margaret Mead's Soviet Attitudes Toward Authority: An Interdisciplinary Approach to Problems of Soviet Character (Santa Monica, 1951). 2 Jules Combarieu's review of Pierre Aubry's Cent motets du XIII siècle (1908) in ...
"The history of music writing is covered from the earliest times until the fifteenth century, and the beautiful and often entertaining pictures of musicians in manuscripts show how music was performed."--BOOK JACKET.
In Painted Prayers, the two key elements of Books of Hours are explored: the glorious illuminations and the texts. 107 color plates reproduce stellar pages from Books of Hours that...
through which Lutheran influence was beginning to enter eastern Scotland, Adamson's efforts at Dundee can be seen as part of the ... The Origins of the Scottish Reformation, 18; Foggie, Renaissance Religion in Urban Scotland, 35–54.
Clark examines the book of hours in the context of medieval culture, the book trade in Paris, and the role of Paris as an international center of illumination. 64 illustrations, 40 in color.
"Astrology in Medieval Manuscripts describes the complexity of western medieval astrology and its place in society, as revealed by a wealth of illustrated manuscripts and historical background."--BOOK JACKET.
Images of monstrosities pervade art and culture in the Middle Ages, and for medieval people they must have been a tantalizing suggestion of unknown worlds and unthinkable dangers.
The Sources of a Medieval English Diocesan Rite Mr William Smith ... (Arcenfelde) as it later became known.44 The kingdom lay mainly in what is now south-west Herefordshire, its centre lying between the rivers Monnow and Wye.