This “brutal and unflinching” novel of fleeting love in Sin City inspired the film starring Nicholas Cage and Elizabeth Shue (Jay McInerney, author of Bright Lights, Big City). John O’Brien’s debut novel, Leaving Las Vegas, is an emotionally wrenching story of a woman who embraces life and a man who rejects it; a powerful tale of hard luck, hard drinking, and a relationship of tenderness and destruction. An avowed alcoholic, Ben drinks away his family, friends, and, finally, his job. With deliberate resolve, he burns the remnants of his life and heads for Las Vegas to end it all in the last great binge of his hopeless life. On the Strip, he picks up Sera, a prostitute, in what might have become another excess in his self-destructive jag. Instead, their chance meeting becomes a respite on the road to oblivion as they form a bond that is as mysterious as it is immutable.
In this chilling portrait of America's Sin City, lady luck is just as likely to dispense cold hard cash as a cold-hearted killing.
‘We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, “I feel a bit lightheaded; maybe you...
Leaving Las Vegas
Prison sentences and an end to the bulk of the mob violence in Kansas City wrote a "happy" ending to this story.
Dark Days, Bright Nights is an important book because it refuses to let us look away. It allows us to sit down at the metaphorical table and listen. This is the story of lives gone wrong, of people who have fallen, who are flawed and ...
As time goes on and the liquor supply starts to dwindle, the novel reaches a gritty intensity that explores the highs and lows of the human spirit.
Age of Cage is a smart, beguiling book about the films of Nicolas Cage and the actor himself, as well as a sharp-eyed examination of the changes that have taken place in Hollywood over the course of his career.
A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she cannot tell: the story of, as she puts it, "the things that happened while I was asleep.
your " You put tobacco in mouth . You chew tobacco . But tobacco's not a food , is it , Raoul ? ” " That's cuz you don't swallow tobacco . " “ Five , " Newell whined . " Six . " " You don't swallow gum . “ You never swallow your gum ?
In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoeven's Showgirls, analyzing the film, its reception, and rehabilitation.