Using the expansive vernacular of black and white night photography to modify the antiquarian sensibility ordinarily brought to the study of Mexico’s colonial architectures, Colonial Noir brings together the unsettling tenor of Mexico’s colonial legacies with the ambiguous landscape of noir. Set against the backdrop of Baroque and Neoclassical architecture, the images in this collection draw on the aesthetics of Surrealism and Abstract Expressionism to create the collection’s existential tone—where the innuendo of chiaroscuro becomes an analog to the tenuous relationship between Mexico’s celebrated cultural plurality and its nefarious colonial history.
Composed over a period of five years, the images in this collection reflect elements of Reid Samuel Yalom’s background in modernist architectural photography and bear the subtle influence of Mexican works by Edward Weston and Paul Strand. The images also pay homage to the work of George Brassai and collections of Guillermo Kahlo and Henry Ravell that celebrate the architectural landscape of colonial Mexico. The book includes an essay by Frederick Luis Aldama, which uses ephemera of personal experience and elements of Latin American literary culture to provide an interpretive window into Yalom’s work, and it includes an introduction by Santhosh Daniel, which places Yalom’s work in the context of the history of photographic work on Mexico. The book also includes a foreword by the photographer Mark Citret.
Booth, John. 1985. The End and the Beginning: The Nicaraguan Revolution. Boulder: Westview. Booth, John, and Thomas W. Walker. 1989. Understanding Central America. Boulder: Westview Borge, Tomás. 1984. Carlos, the Dawn Ls No Longer ...
The one grades gradually off into the other during the Rosario Phase, and since attributes other than those of paste and surface finish show the most change, this transition was studied as an attribute shift within a single ware.
Other useful books for recent cinema are by Foster , Schaefer and Ramirez Berg . Literature and Theatre in Spanish Foster's 1992 bibliography is a good starting point . González Peña has long served as a traditional resource .
Chapter 7 Late and Terminal Formative Chipped Stone Assemblages Md. 8 | - N Moi . 9E St r. THE LATE FORMATIVE PERIOD Little is known about the chipped stone industries of the Late Formative period (Monte Albán I, ca.
Laurette S journ emprende una interpretaci n de la cultura prehisp nica que no equivale a una relaci n de descubrimientos, sino a la interpretaci n del sentido de la...
This is a modern translation of Alfonso Toro's classic story about the Spanish Inquisition in Mexico, which captures the tragedy and courage of Jews who chose to die rather than...
In 1815, in the Spanish settlement of San Antonio de Béxar, a dying widow named María Concepción de Estrada recorded her last will and testament. Estrada used her will to...
Last of the Californios
A look at the battle for Texas presents the dramatic true story of the people, including Bowie, Houston, and Santa Ana, and the events, including the 1836 Alamo siege, on...
Describes the plants, animals, history, countryside, shorelines, and sea life of Baja California