This research investigated the role of two structure building mechanisms in language comprehension. They are Suppression and Enhancement. The first series of experiments investigated the role of suppression in word understanding. The results demonstrated that the mechanism of suppression dampens the activation of the inappropriate meanings of ambiguous words; they do not decrease in activation simply because their activation is consumed by appropriate meanings or because they decay. A second series of experiments investigated the role of suppression in improving the accessibility of concepts marked by cataphoric devices. Cataphoric devices are counterparts to anaphoric devices: Anaphoric devices mark concepts that have been mentioned before, and cataphoric devices mark concepts that are likely to be mentioned again. The results demonstrated that when concepts are marked with cataphoric devices, like spoken stress and the indefinite this, they are better at suppressing the activation of other concepts, and they are more resistant to being suppressed by other concepts. A third series of experiments investigated the role of suppression and enhancement in adult comprehension skill. The results demonstrated that less-skilled comprehenders less-efficiently suppress the inappropriate meanings of ambiguous words, the incorrect forms of homophones, the typical-but-absent members of scenes, and words superimposed on pictures or pictures surrounding words. (SDW).
A fourth type of phasal analysis is offered by Timberlake (1985). Timberlake assumes an interval temporal semantics like Woisetschlaeger, and focuses on ...
In some languages, this elemental opposition surfaces directly, asin the Austronesian (Chamorro: Chung and Timberlake 1985; Bikol: Givón 1984) and certain ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
... 70, 85,171,231 Thomson, Greg, xix Thomson, R. W, 231, 233 Timberlake, Alan, ... J. M., 225, 235 van Putte, E., 286, 294 Vermant, S., 61,62 Vincent, N., ...
... 'timbol, –Z timber BR 'timble(r), -oz, -(e)rin, -od AM 'timblor, -orz, -(e)rin, ... -s Timberlake BR 'timboleik AM 'timbor,eik timberland BR 'timbaland, ...
... 237 St. George , R. , 38 Stilling , E. , 251 Stonequist , E. , 247 Stopka ... R. , 149 Tidwell , R. , 227 , 230 Timberlake , M. F. , 266 Ting - Toomey ...
... line on Deck D. A baby squeals in the background cacophony ofthe airport. ... spirit in terms of matter, matter in terms ofspirit,” Robert Frost said.
... 30, 31, 32, 34 Durand, D., 49 Dwyer, J. W., 78 E Egan, J., 93 Eisenberg, ... 102 Floyd, K., 85, 89, 91 Forsyth, C. J., 41, 42, 48, 5.1 Frost-Knappman, ...
Journal of Psycholinguistic Research, 4, 331–342. Freedman, D. (2007). Scribble. New York: Knopf Books for Young Readers. Frost, J. (2001).