Based on years of field research with Native Americans, careful scholarship, and exhaustive firsthand studies of museum collections around the world, Ewers's publications have long been required reading for anyone interested in the cultures of the Plains peoples, especially their visual art traditions. This vividly illustrated collection of Ewers's writings presents studies first published in American Indian Art Magazine and other periodicals between 1968 and 1992.
Teit, James A. 1928 The Salishan Tribes of the Western Plateau. Bureau of American Ethnology, Annual Report, no. 45. Washington DC. Thompson, David 1962 David Thompson's Narrative 1784– 1812. Edited by Richard Glover.
Plains Indian Painting: A Description of an Aboriginal American Art
It shows an Eskimo hunter capturing a walrus from his kayak, which itself has been conceived to take on the features of a ... It was probably worn during a ceremony recounting an event in a specific hunter's life or his mythical past.
With Pride They Made These: Tribal Styles in Plains Indian Art
Encompasses all major tribal areas: the Southwest, California, the Pacific Northwest, the Eskimos of Canada and Alaska, the Plains and the Eastern Woodlands. Numerous colour photographs.
Symbol and Substance in American Indian Art
They began their days as wandering buffalo hunters; yet the Indians imprisoned at Fort Marion who are the subject of this book were the first exponents of the Contemporary school of Indian art.
This volume discusses and illustrates the art forms of the Indians of North America.
"The circle, considered the perfect form by the Plains Indians, has no beginning or end. By tracing the four circles that symbolized the lives of native Americans- the family, the...