Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.
From Civil Rights to Insurrection Traces the history of the troubles in Northern Ireland from their early beginnings as a basic struggle for civil liberties through to the revolutionary war that has now claimed more than 3,000 lives and ...
The 1917 coup that led to 73 years of terrifying Communism was an American inspired coup d'état.
Joseph Lowery averred at Coretta Scott King's funeral, “Dead men make such convenient heroes. They cannot rise up to challenge the images we mold and fashion for them.
In Beyond the White Negro, Kimberly Chabot Davis claims such a view fails to describe the varied politics of racial crossover in the past fifteen years.
By placing consumer-based amusements alongside the more formal arenas of church and academe, Baldwin suggests important new directions for both the historical study and the constructive future of ideas and politics in American life.
The skin is of the white carnation hue , " he recited , " and the blue veins plainly visible through it . " 46 The child , Mitchell implies , could have undergone a similar process , a preternatural whitening of skin that would not ...
This NYRC edition is an oversized paperback with French flaps, printed endpapers, and extra-thick paper, and features new English hand-lettering and a brand-new story, exclusive to this edition.
This is the story of How the Irish Became White.
An abridgement of the prize-winning White Over Black
It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another.