A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths. Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match. Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.
She edited the anthologies Lost Trails: Forgotten Tales of the Weird West Volumes 1-2 (WolfSinger Publications). With Nisi Shawl, she co-authored Writing the Other: A Practical Approach (Aqueduct Press). Her short novel, The Adventure ...
Interestingly, the English translation of Treinta años is entitled Leaving Tabasco. ... have passed for Delmira away from her family, the English title inherently focuses on the events and experiences that lead Delmira to leave Tabasco.
Sarah Jane Robinson No sooner had Lydia Sherman died than Sarah Jane Robinson made her appearance . While the murders committed by Sherman were inexplicable in their motive , Sarah Robinson was on a hedonistic murder - for - profit ...
The victims have now been identified as Clayton Sparks, 32, and Lindsey Levy, 29. Next of kin have been notified. Sheriff's officials released a statement saying that the case was being investigated as a robbery and double homicide.
Minotaur. Hydra.
Selected Table of Contents: CHAPTER 1 - Self-Initiation: An Induction into Basic Witchery What We Mean by “Witchcraft” Our Favorite Pop Culture Witches CHAPTER 2 - Glamours: The Power to Change How You Look How to Clothe Yourself in ...
A heartbreaking page-turner, Willa C. Richards’ debut novel is the story of a broken family looking for answers in the face of the unknown, and asks us to reconsider the power and truth of memory.
Entertaining antics and skullduggery abound in the book that inspired Laika Studio’s animated film The Boxtrolls, in theaters September 26, 2014!
A three - course dinner for Ted Bundy . ... No longer qualifying as a hero , Bundy was now cast into the complementary role of scapegoat . ... The flyer displayed a likeness of the killer under the slogan : " A Man with Vision .
This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.