The most significant factor in the career of Aaron “T-Bone” Walker was his ability to bridge the worlds of blues and jazz. The guitar artistry of this early exponent of urban blues was not only admired by blues musicians like B.B. King, Gatemouth Brown, Albert King, and Albert Collins, and rock guitarists such as Eric Clapton, Jimi Hendrix, Duane Allman, and Stevie Ray Vaughan, but by such jazz greats as Billie Holiday, Dizzy Gillespie, Lester Young, and many others with whom he recorded. Stormy Monday is the first biography of T-Bone Walker to be published. Using dozens of interviews with Walker, as well as with members of his family, close friends, fellow musicians, and business associates, the book offers a remarkable frank insider’s account of the life of a blues musician and compulsive gambler, from the wild living and hard drinking on the road to a solid and contented family life at home. “In a very real sense the modern blues is largely his creation.” blues authority Pete Welding has written about T-Bone Walker. “The blues was different before he came on the scene, and it hasn’t been the same since, and few men can lay claim to that kind of distinction. No one has contributed as much, as long, or as variously to the blues.”
Horne had just finished work on her latest film, Broadway Rhythm. Like Swing Fever, it offered a pastiche of production numbers strung together by a thread of plot. Broadway Rhythm starred George Murphy, a B-movie hoofer and future ...
Although I didn't like the unsettled, stormy weather of winter because it brought so much hardship to people, long spells of nice weather can be pretty boring from the forecasting perspective. I was concentrating so much that I hardly ...
“I had it messengered over there Monday morning. ... clung to that man like a life raft in a stormy sea. ... have designated an individual or a charity as beneficiary of his life insurance policy rather than have it made STORMY WEATHER 217.
... George Paulus, David Weld, Bill Dahl, Debbie Bresee Gilmore, Billy Boy Arnold, Cadillac Baby, Jim Themelis, Chris Quinn, Dan Johnson, Suzanne Yovan, Pete Crawford, Kirk Whiting, Bea Van Geffen, Beth Garon, Barry Pearson, Mot Dutko, ...
bretace BY PETER M. NICHOLS t was the evening of April 12 , 1932 , and Grand Times critics knew a great movie when ... since many films judged able movie moment . among the best in any one year have slipped off the One advantage of a ...
(Guitar Recorded Versions).
... 51, 189, 532, 545 McMillan, Victor, 606, 758 McMurry, Lillian, 612n166, 623, 841, 841n198 McMurtry, James, 726 McMurtry, Larry, 726 McNally, Zeb, 286 McNaughton, Trevor, 863 McNeely, Big Jay, 619n204 McPhatter, Clyde, 229, 559, 620, ...
... Bb13 A aug7 111 HIIHII HIIHIIHD A la the Allman Brothers The Allman Brothers did a version of " Stormy Monday " that has some cool chord changes in it . They also used the sliding trick on the 9th chord that we looked at on page 26.
... AND THE JUNIORS 16237 RICHARD MALTBY 45564 DANNY AND THE JUNIORS 52494 NICK TODD 60082 • DANNY AND THE JUNIORS 64830 ... 22073 BOBBY DARIN 4543 GUY LOMBARDO 36249 LITTLE WALLY 43922 THE NORMAN • LUBOFF CHOIR 44305 GUY LOMBARDO 46284 ...
While writing Urban Blues in the mid-1960s, Keil optimistically saw this cultural expression as contributing to the rising tide of raised political consciousness in Afro-America.