Huey "Piano" Smith's musical legacy stands alongside that of fellow New Orleans legends Dr. John, Fats Domino, Ernie K-Doe, and Allen Toussaint. His 1957 classic, "Rocking Pneumonia and the Boogie Woogie Flu," made Billboard's top R&B singles chart, and hundreds of artists including Aerosmith, the Grateful Dead, the Beach Boys, Johnny Rivers, and Chubby Checker have recorded his songs. The first biography of the artist responsible for hits "Don't You Just Know It," "High Blood Pressure," and "Sea Cruise," Huey "Piano" Smith and the Rocking Pneumonia Blues follows the musician's extraordinary life from his Depression-era childhood to his teen years as a pianist for blues star Guitar Slim to his mainstream success in the 1950s and '60s. Drawing from extensive interviews and court records, author and journalist John Wirt also provides new insights on Smith's professional disappointments and financial struggles in the 1980s and '90s as he battled over royalties from his most successful and profitable work. An enigmatic and guarded personality in a profession of extroverted performers, Smith made farreaching contributions to the New Orleans music scene as a songwriter, pianist, and producer. Wirt reveals that Smith's numerous collaborations with other artists -- including the Clowns, the Pitter Pats, the Hueys, and Shindig Smith and the Soul Shakers -- served as vehicles for his creative vision rather than simply as an anonymous backup for a leading front man. Throughout this intimate account, Wirt details Smith's significant impact on rock and roll history and underscores both the longevity of his music -- which has entertained and inspired for over five decades -- and the musician's personal endurance in the face of hardship and opposition.
Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap.
284 (Nov 2013): 26. GEORGE A. MOONOOGIAN Obituaries: BM395. Kochakian, Dan; Goldberg, Marv; LeBlanc, Eric; Watson, Tony. “Obituaries: George A. Moonoogian.” Blues & Rhythm no. 277 (Mar 2013): 12. AARON MOORE BM396. Fontenot, Robert.
... Clara 127 , 509 , 510 , 585 , 644 , 657 , 662 , 673 , 674 Smith , Clarence 467 Smith , Eddie 235 Smith , Eugene 373 Smith , Francine 101 Smith , Funny Paper 510 Smith , G.E. 214 , 318 Smith , Gary 183,592 Smith , George Harmonica ...
The Rolling Stone Album Guide is the bible of popular music criticism. Now, for this new edition, Rolling Stone's critics and editors have gone back, listened to everything with a...
Rock 'n' roll defined the last half of the twentieth century, and while many think of Elvis Presley as the genre's driving force, the truth is that Fats Domino, whose...
We discussed it and Edward asked his best friend, Harold, who had a younger brother named Morris, if Morris could step in and take me to the prom. Despite his being a year younger than me, ...
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
Writing of friends in high places, late 1973 had brought a London visit by Kenny Gamble and Leon Huff, as a precursor to the UK launch of their Philadelphia International label through CBS, and I had received an invitation to a lunch in ...
For instance, sometimes playing with Dave, we had a lot of balls and we'd get the stock music that you'd go down to the store and buy, you know, ... You put music in front of [Nelson] and it didn't mean anything to him, really.
Gordy preferred teams of producers, and tried various combinations including “The Clan” and “The Corporation” both of which included himself and Deke Richards, along with Frank Wilson, R. Dean Taylor and Hank Cosby (in the Clan) and ...