In the first book-length study of Valerie Martin's fiction, Veronica Makowsky explores the work of this lauded, but often overlooked, contemporary novelist. Winner of the Orange Prize for her novel Property (2003), Martin also won the Kafka Prize for Mary Reilly (1990), which was then translated into sixteen languages and made into a popular film. Despite these successes, her critically acclaimed novels and stories have yet to attain a broad readership. Makowsky addresses this disconnect through a detailed critical study of Martin's distinguished oeuvre, grounding each work in its historical, cultural, and theoretical contexts. Makowsky begins with a sketch of Martin's life and then considers each of her ten novels and four collections of short stories. Throughout, Makowsky's deft critique reveals Martin to be an astute observer of people and places. Pointing to both early works, like A Recent Martyr (1987), and recent books, such as The Ghost of the Mary Celeste (2014), Makowsky identifies a potent mixture of pleasure and fear in Martin's writing that emphasizes the author's nuanced exploration of human imagination. Notable, too, are Martin's literary techniques -- especially point of view -- and her allusions to masterpieces in Western literature. The works of Henry and William James in particular influenced Martin's thematic blend of intellectualism and empathy evident in her rounded depictions of women in works like Italian Fever (1999) and The Great Divorce (1994). A rich and substantive study, The Fiction of Valerie Martin demonstrates and deconstructs the mastery of this thought-provoking author, in turn firmly establishing Martin's place in the canon of contemporary writers.
The Fiction of Valerie Martin: An Introduction
Valerie Martin’s Property delivers an eerily mesmerizing inquiry into slavery’s venomous effects on the owner and the owned.
Through her astute reflections, we hear the rest of the classic Jekyll and Hyde story, and this familiar tale is made more terrifying than we remember it, more complex than we imagined possible.
"Ms. Martin's trademarks: a preoccupation with the dark underside of life, a taste for disturbing, even macabre imagery . . . excursions into an unseen realm [of] strange and magical events.
But as she works on the novel, it becomes clear that the villa itself is at risk and that Beatrice is incapable of saving it. Jan understands that she is telling the story of a catastrophe her friend might prefer to conceal. She presses on.
In strikingly powerful prose, spare and immediately accessible, Ms. Martin draws readers into the lives of people who crave fulfillment and the paths they travel in their quest.
That night he slept on the settee in the cabin again, insisting that when Mr. Richardson was on deck, he didn't think it right that Sophy and I should be alone in the stern. He brought me food I couldn't touch.
Part romance, part gothic suspense story, this is the compelling tale of an American woman's awakening as she tumbles headlong into a mystery, art, and eros—from the bestselling, award-winning author of Property. • "Spellbinding .
Acclaimed author Valerie Martin returns with a dark comedy about love, sex, an actor's ambition, and the perils of playing a role too well.
The twelve stories in this collection showcase Martin's enviable control, precision, and grace and are organized around her three fictional obsessions—the natural world, the artistic sphere, and stunning transformations.