David Whisnant provides a comprehensive analysis of the dynamic relationship between culture, power, and policy in Nicaragua over the last 450 years. Spanning a broad spectrum of popular and traditional expressive forms--including literature, music, film, and broadcast media--the book explores the evolution of Nicaraguan culture, its manipulation for political purposes, and the opposition to cultural policy by a variety of marginalized social and regional groups.
Within the historical narrative of cultural change over time, Whisnant skillfully discusses important case studies of Nicaraguan cultural politics: the consequences of the unauthorized removal of archaeological treasures from the country in the nineteenth century; the perennial attempts by political factions to capitalize on the reputation of two venerated cultural figures, poet Ruben Dario and rebel General Augusto C. Sandino; and the ongoing struggle by Nicaraguan women for liberation from traditional gender relations.
Originally published in 1995.
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Kampwirth, Karen. “Social Policy.” In Nicaragua Without Illusions: Regime Transition and Structural Adjustment in the 1990s, edited by Thomas Walker, 115–30. Wilmington: A Scholarly Resources Inc., 1997. Katz, Jack. How Emotions Work.
... Rascally Signs in Sacred Places : The Politics of Culture in Nicaragua ( Chapel Hill : University of North Carolina Press , 1995 ) , 75–77 . 27. Quoted in May , Southern Dreams of a Caribbean Empire , 97 . 28. Walker , The War in ...
Students of Revolution thus highlights the aggressive young dissenters who became the vanguard of the opposition.
Brownlee to ODC, 28 January 1949 (CP-SHC). 192. Louise Pitman to Brownlee, 13 February 1949; and board to Folger, ... See his Revolt of the Sharecroppers (New York: Covici, 1936), and George B. Tindall, The Emergence of the New South, ...
... Rascally Signs in Sacred Places : The Politics of Culture in Nicaragua ( Chapel Hill : University of North Carolina Press , 1995 ) , esp . chap . 2 , " Rascally Signs in Sacred Places : The Politics of Cultural Change in the Nineteenth ...
Alejandro Bravo and Nelly Miranda, “Literatura, identidad y conciencia nacional,” in Nicaragua en busca de su ... that in postrevolutionary Nicaragua, Che images are “broad symbols of cultural and political opposition” (The Tourism ...
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Rushdie, Das Lächeln des Jaguars, 75–76. 56. Collins, Nicaragua: Was hat, 179–84; Ferrero Blanco, De un lado, 65, 190. 57. Milanesio, “Guardian Angels,” 101. 58. Somos, no. 9 (January/February 1983): 20, no. 10 (March 1983): 20, no.
These were largely inspired by the work of Robert Maynard Hutchins, president of the University of Chicago (Badillo 1998). Thus, “Occidentalism” (Western civilization) permeated the humanities curricula at UPR (e.g., fine arts, ...
In this groundbreaking book, Eric Selbin argues that we need to look beyond the economic, political and social structural conditions to the thoughts and feelings of the people who make revolutions.