In the early 1970s, empowered by the civil rights and women's movements, a new group of women writers began speaking to the American public. Their topic, broadly defined, was the postmodern American West. By the mid-1980s, their combined works made for a bona fide literary groundswell in both critical and commercial terms. However, as Krista Comer notes, despite the attentions of publishers, the media, and millions of readers, literary scholars have rarely addressed this movement or its writers. Too many critics, Comer argues, still enamored of western images that are both masculine and antimodern, have been slow to reckon with the emergence of a new, far more "feminine," postmodern, multiracial, and urban west. Here, she calls for a redesign of the field of western cultural studies, one that engages issues of gender and race and is more self-conscious about space itself_especially that cherished symbol of western "authenticity," open landscape. Surveying works by Joan Didion, Wanda Coleman, Maxine Hong Kingston, Leslie Marmon Silko, Barbara Kingsolver, Pam Houston, Louise Erdrich, Sandra Cisneros, and Mary Clearman Blew, Comer shows how these and other contemporary women writers have mapped new geographical imaginations upon the cultural and social spaces of today's American West.
Originally published in 1974, this book is now regarded as a classic book of photography in the pantheon of landmark projects exploring American culture and society.
This wide-ranging collection of essays is intended to provoke both thought and action.
The New West: Landscapes Along the Colorado Front Range
This wide-ranging collection of essays is intended to provoke both thought and action.
William G. Robbins, Colony and Empire:The Capitalist Transformation of the American West (Lawrence: University of Kansas Press, 1994), 62. 9. John Opie, The Law of the Land:Two Hundred Years of American Farmland Policy (Lincoln: ...
Waterwise Design for the Intermountain West Susan E. Meyer, Roger K. Kjelgren, Darrel G. Morrison, ... The planter is slowly being turned into another Gambel oak grove by the scrub jays, who stash acorns in the bark mulch.
... of five Remington illustrations accompanying Owen Wister's "The Evolution of the Cow Puncher," the first celebrated ... In Farny s obituary, Roosevelt is quoted as saying, "The nation owes him a debt because he has preserved one of ...
The West is vital to the myth of America. It is where radical individualism and beautiful landscapes merge in a sort of earthly paradise. Or so we've been led to believe by cinematic and literary mythmakers.
See the images and read the stories behind the creative process of one of America’s most respected landscape photographers, William Neill.
... Venice , and the Pastoral Tradition ' , in R. Cafritz , L. Gowing , and D. Rosand ( eds ) , Places of Delight : The Pastoral Landscape ( Washington DC and London : The Phillips Collection and Weidenfeld and Nicolson , 1988 ) . 20.