Southern music has flourished as a meeting ground for the traditions of West African and European peoples in the region, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in The New Encyclopedia of Southern Culture celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South. With nearly double the number of entries devoted to music in the original Encyclopedia, this volume includes 30 thematic essays, covering topics such as ragtime, zydeco, folk music festivals, minstrelsy, rockabilly, white and black gospel traditions, and southern rock. And it features 174 topical and biographical entries, focusing on artists and musical outlets. From Mahalia Jackson to R.E.M., from Doc Watson to OutKast, this volume considers a diverse array of topics, drawing on the best historical and contemporary scholarship on southern music. It is a book for all southerners and for all serious music lovers, wherever they live.
Instead of dismissing emotional response and personal taste as inaccessible to academic critics, Frith takes these forms of engagement as his subject—and discloses their place at the center of the aesthetics that structure our culture and ...
The contributors to the volume include academics and journalists; several wear both hats, and some are musicians as well.
Charles Fox has composed more than 100 motion picture and television scores, among them the themes of many iconic series, including Happy Days, Laverne & Shirley, Love, American Style, and Love Boat.
Do your Bob Dylan albums sound better on CD vinyl? John Powell, a scientist and musician, answers these questions and many more in How Music Works, an intriguing and original guide to acoustics.
Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work.
" Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
Chapel Hill: Southern Folklife Collection, University of North Carolina at Chapel Hill Libraries, in association with the John Edwards Memorial Forum, 2002. Meade, Guthrie T., Jr., and Richard Nevins. Notes to Wink the Other Eye: Old ...
Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked.
His postlude, written for the book's twenty-fifth anniversary, looks back at his thoughts on the direction of music in 1967.
Measuring a measure: Absolute time as a factor for determining bar lengths and meter in pop/rock music. Music Theory Online, 22/3. ... Expression in Pop-Rock Music: Critical and Analytical Essays (2nd ed.) (111–74). New York: Routledge.