The Artistry of Anger: Black and White Women's Literature in America, 1820-1860
- ISBN-10
- 0807860190
- ISBN-13
- 9780807860199
- Category
- Literary Criticism
- Pages
- 264
- Language
- English
- Published
- 2003-04-03
- Publisher
- Univ of North Carolina Press
- Author
- Linda M. Grasso
Description
In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history. Exploring how black and white nineteenth-century women writers defined, expressed, and dramatized anger, Grasso reconceptualizes antebellum women's writing and illuminates an unrecognized tradition of discontent in American literature. She maintains that two equally powerful forces shaped this tradition: women's anger at their exclusion from the democratic promise of America, and the cultural prohibition against its public articulation. Grasso challenges the common notion that nineteenth-century women's writing is confined to domestic themes and shows instead how women channeled their anger into art that addresses complex political issues such as slavery, nation-building, gender arrangements, and race relations. Cutting across racial and genre boundaries, she considers works by Lydia Maria Child, Maria W. Stewart, Fanny Fern, and Harriet Wilson as superb examples of the artistry of angry expression. Transforming their anger through literary imagination, these writers bequeathed their vision of an alternative America both to their contemporaries and to subsequent generations.
Get the book
Other editions
-
- 2002
- 249 pages
- Paperback
- Univ of North Carolina Press
Similar books
-
Virginia Woolf and the Great War
By Karen L. LevenbackI owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
-
In Search of Elena Ferrante: The Novels and the Question of Authorship
By Karen Bojar... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
-
Native American Verbal Art: Texts and Contexts
By William M. ClementsHENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
-
Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature
By William H Bridges“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
-
Shakespeare's Edward III
By William ShakespeareThompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
-
The Problem with Pleasure: Modernism and Its Discontents
By Laura FrostIn The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
-
The Alice Books and the Contested Ground of the Natural World
By Laura WhiteSimilarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
-
Fables of Modernity: Literature and Culture in the English Eighteenth Century
By Laura BrownRenew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
-
Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century
By Laura OlcelliD'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
-
A Concordance to Conrad's The Arrow of Gold
By Paul L. Gaston, Todd K. Bender... i ge 3 let S deal ing ge a lings ge at t Joe a f J & at n ce at h-ced ge at hly ue to 3 sec ge is a te debit de cap it a t e u ge c e it ful ge c e i ve ...