Polls tell us that most Americans--whether they earn $20,000 or $200,000 a year--think of themselves as middle class. As this phenomenon suggests, "middle class" is a category whose definition is not necessarily self-evident. In this book, historian Daniel Walkowitz approaches the question of what it means to be middle class from an innovative angle. Focusing on the history of social workers--who daily patrol the boundaries of class--he examines the changed and contested meaning of the term over the last one hundred years. Walkowitz uses the study of social workers to explore the interplay of race, ethnicity, and gender with class. He examines the trade union movement within the mostly female field of social work and looks at how a paradigmatic conflict between blacks and Jews in New York City during the 1960s shaped late-twentieth-century social policy concerning work, opportunity, and entitlements. In all, this is a story about the ways race and gender divisions in American society have underlain the confusion about the identity and role of the middle class.
In White Working Class, Joan C. Williams, described as having "something approaching rock star status" by the New York Times, explains why so much of the elite's analysis of the white working class is misguided, rooted in class cluelessness ...
The new working-class studies is not only about the labor movement, or about workers of any particular kind, or workers in any particular place—even in the workplace.
Going day by day, this book paints a picture of how and why the world came to be as it is, how some have tried to change it, and the lengths to which the rich and powerful have gone to maintain and increase their wealth and influence"--
Based on the opinions and voices of lower and middle income voters, this insightful book proposes what needs to be done to address the issues of the 'new working class'.
In 1997, Marshall left New York and moved to Prosperity, South Carolina with the musician Bill Callahan of Smog. “In New York,” Marshall explained, “I was like, 'Oh my God, I can't breathe, I can't look at people in the eye, ...
21. Andy Warhol and Pat Hackett, Popism: The Warhol '60s (New York: Harcourt Brace Jovanovich, 1980), 65. 22. Takashi Murakami, “On the Level,” in Mark Rosenthal, Marla Prather, Ian Alteveer, and Rebecca Lowery, Regarding Warhol: Sixty ...
While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
Its publication in 1963 was highly controversial in academia, but the work has become a seminal text on the history of the working class.
Harold Preece, “The South Stirs: Brothers in the Union,” The Crisis, October 1941, 318 (first two quotes); Preece, “The South Stirs: The Pulpit and the New South,” The Crisis, December 1941, 388—89 (final three quotes). 19.
In the second edition of his essential book—which incorporates vital new information and new material on immigration, race, gender, and the social crisis following 2008—Michael Zweig warns that by allowing the working class to disappear ...