Twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate.
Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture.
Contributors bring fresh readings to popular novels, such as Jonathan Lethem’s Chronic City and Jonathan Franzen’s Freedom; films like Zero Dark Thirty and This Is the End; and television shows such as 24 and Homeland.
Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film.
This collection, however, challenges the language of limitation and provides re-readings of earlier work, but also traces the emergence of a new paradigm for discussing the artistic responses to 9/11 – one that frames these narratives as ...
Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this ...
Examines dramatic motion pictures and documentary films depicting the September 11 terrorist attacks and the events that followed.
David Roodt released Dracula 3000 in 2004, a poorly made reprise of the venerable Count Dracula, here called Count Orlock (Langley Kirkwood) after the vampire in Nosferatu. In this blend of sci-fi and horror, a spacecraft on a routine ...
A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.
'No other collection to date has so acutely, intelligently and coherently demonstrated the inseparability of information, entertainment, policy and public perception as prime vectors of "war on terror" discourses and...
As the Joker's reign of terror sweeps through the city, the people turn more and more against Batman, blaming him for the escalation of violence. An angry crowd chants at him, 'It's because of you these guys are dead!