Writing with Authority: Students' Roles as Writers in Cross-National Perspective offers a comparison of student writers in two university cultures?one German and one American?as the students learn to connect their writing to academic content. David Foster demonstrates the effectiveness of using cross-cultural comparisons to assess differences in literacy activities and suggests teaching approaches that will help American students better develop their roles as writers in knowledge-based communities. He proposes that American universities make stronger efforts to nurture the autonomy of American undergraduates as learner-writers and to create apprenticeship experiences that more closely reflect the realities of working in the academic community. This comparative analysis identifies crucial differences in the ways German and American students learn to become academic writers, emphasizing two significant issues: the importance of self-directed, long-term planning and goal setting in developing knowledge-based projects and the impact of time structures on students' writing practices. Foster suggests that students learn to write as knowledge makers, using cumulative, recursive task development as reflexive writing practices. He argues for the full integration of extended, self-managed, knowledge-based writing tasks into the American undergraduate curriculum from the onset of college study. A cross-national perspective offers important insights into the conditions that influence novice writers, Foster says, including secondary preparations and transitions to postsecondary study. Foster proposes that students be challenged to write transformatively?to master new forms of authorship and authority based on self-directed planning, researching, and writing in specific academic communities. The text also addresses contested issues of power relations in students' roles as academic writers and their perception of personal authority and freedom as writers. A course model incorporates significant, self-directed writing projects to help students build sustainable roles as transformative writers, outlines ?change goals” to help teachers develop curricular structures that support cumulative writing projects across the undergraduate curriculum, and shows how teachers can develop self-directed writing projects in a variety of program environments.
This book traces the evolving uses of writing to command assent and obedience in early China, an evolution that culminated in the establishment of a textual canon as the foundation of imperial authority.
In Authority, Nathan shows you: -How NOT to be a poor, starving author -How to establish a consistent writing habit -How to implement a successful marketing strategy -How to replace traditional publishing methods with methods that can earn ...
Starr 1977 , 33 ; Hammond 1954 , 97 68. Snodgrass 1980 , 144ff .; see the discussion in V. Parker 1997 . 69. Tandy 1997 , 39ff .; Osborne 1998 . 70. For classic discussions of the Athenian synoikismos , see Sarkady 1966 ; Alföldy 1969 ...
See especially Sandra Gilbert and Susan Gubar, The Madwoman in the Attic (New Haven: Yale University Press, 1979), 213–47; Barbara Johnson, “My Monster/My Self,” Diacritics 12 (1982): 2–10; Mary Jacobus, “Is There a Woman in This Text?
In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another—glossing works, dismembering and reconstructing them, writing for and against one another—while playing ...
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
The Anatomist of Power: Franz Kafka and the Critique of Authority is a fascinating new look at his widely known novels and stories (including The Trial, Metamorphosis, In the Penal Colony and Amerika), portraying him as a powerful critic of ...
Alter explores the ways in which a range of iconoclastic 20th century authors have put to use the stories, language, and imagery found in the Hebrew Bible. Includes attention on Franz Kafka's "Amerika" and James Joyce's "Ulysses".
Elliott demonstrates how America's first men of letters--Timothy Dwight, Joel Barlow, Philip Freneau, Hugh Henry Brackenridge, and Charles Brockden Brown--sought to make individual genius in literature express the collective genius of the ...
Audience, Authority, and Transformation Gesa Kirsch, Gesa E. Kirsch ... some students wanted to be included in the community of "successful writers” and therefore found ways to meet audience expectations and teacher demands, ...