Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.
Noël Carroll, a brilliant and provocative philosopher of film, has gathered in this book eighteen of his most recent essays on cinema and television—what Carroll calls “moving images.” The essays discuss topics in philosophy, film ...
In this volume, Noel Carroll examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, and comedy, and such topics as sight gags, film metaphor, point-of-view editing, and ...
The text covers the basics of how films are constructed, why they matter, and how to analyze them. It highlights diverse filmmakers and approaches, through the study of feature films, music videos, short films, and new media.
In the hands of Romantic artists and writers such as Thomas Cole, Thomas Moran, Albert Bierstadt, Henry David Thoreau, and John Muir, such nature became “sublime,” tinged with the divine. To understand how our gaze changes a place, ...
Hence, there is a second point to be made, that compounds the first: every thing is in motion. In a universe where only 'duration' (change) is real, the moving images of film have an equal claim on reality – films give us immediately ...
This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.
CHAPTER 13 The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures Shawn Loht ... 2014); Hunter Vaughan Where Film Meets Philosophy (New York: Columbia University Press, 2012); Jenny Chamarette, ...
( 2004 ) ' Moving Image Technology in the Time of Mitchell and Kenyon ' , in Vanessa Toulmin , Simon Popple and Patrick ... Gould , Sara and Marie - Therese Varlamoff ( 2000 ) ' The Preservation of Digitised Collections ' , in Ralph W.
This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s.
Warren Buckland, “Metz's Critique of 'Cinema: Language or Language System,'” in The Routledge Encyclopedia of Film Theory, ed. Edward Branigan and Warren Buckland (London/New York: Routledge, 2013), Kindle edition, location 12,825–57 of ...