A study of medieval monophonic music. The text focuses on its movement away from the concept of chants as products and towards the idea of chants as processes. The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chants circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant.
Our schola appreciates how effective this book is, seeing these big notes makes it so much easier to recognize them in today's small printed pages that we usually find in churches.
This companion volume discusses why this music has such a calming effect on both singers and listeners, how it is sung, and how it originated and developed.
El Canto gregoriano: un modelo de música religiosa
A basic guide for beginners interested in understanding the way Gregorian Chant music is written, how the rhythms are sung and using Solfeggio to learn and master chant melodies. An excellent guide for new schola and choir members.
Gregorian Chant: A Guide
Hildegard of Bingen and Musical Reception