Sanjuro's long-awaited companion volume to Contemporary Latin American Artists contains information on those internationally known artists who exhibited at the Museum of Modern Art of Latin America in the Organization of American States headquarters in Washington, D.C. from 1941-1964. Together, the two volumes of the set record approximately 750 exhibitions including more than 2,000 artists, and cover exhibitions at the OAS from 1941-1985. Arranged in chronological order, the second volume includes works exhibited and curricula vitae where available. A list of works exhibited has been added when it was missing from the original catalogue, others have been corrected in accordance with the list used during the exhibition. To facilitate the use of this volume, an index of artists provides the names of exhibitors in alphabetical order, followed by dates of birth and death, media used, and dates of exhibition. Also included are an index of exhibitions by country, index by country, and appendix.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei