Earl Robinson's autobiography, Ballad of an American, is the life-and-times story of the composer who wrote the immortal labor song "Joe Hill" and the cantata Ballad for Americans, which caused a media storm when it appeared on CBS national radio, with Paul Robeson singing baritone, in 1939. A member of America's Old Left, a perpetual FBI target, and eventually an adherent to New Age philosophies, Earl Robinson characterizes the expanse of America in the twentieth century through his music. Robinson was involved in folk music from the beginning, and his influence would eventually be felt by all of America through such artists as Bob Dylan and Joan Baez. Ballad of an American is not a definitive musicological or biographical work, but a witty, darting, first-person account of one of America's most famous composers, during one of the most lively times in American history. The book reads like a well-rehearsed anecdote, infected with Robinson's humor and containing telling word portraits of some of America's most important artists, such as Woody Guthrie, Paul Robeson, Carl Sandburg, and Frank Sinatra. Much like his music, Robinson does not shy away from the rough textures of his life and frankly discusses painful personal issues, musical triumphs, as well as the evolution of his active engagement in social and political expression. Eric A. Gordon, Robinson's collaborator for the book, has had access to Robinson's extensive personal archive of awards, newspaper clippings, letters, photographs, and interview transcripts collected over Robinson's life. The book also contains a list of works and a discography of Robinson's musical compositions. With Gordon's assistance, Earl Robinson has been eminently successful at creating a readable, human account of a life in music.
In this pathbreaking book, Allen Forte uses modern analytical procedures to explore the large repertoire of beautiful love songs written during the heyday of American musical theater, the Big Bands, and Tin Pan Alley.
Kevin Quain (New York: St. Martin's Press, 1992), 3–12. 5 Peter Guralnick, Last Train to Memphis: The Rise of Presley (New York: Little Brown, 1994), 64. 6 “Rock 'n' Roll Battle: Boone vs. Presley,” Collier's 138 The Ballad and Rock and ...
Oughta come on de river in 1910, Dey was drivin'de women des like de men. Wake up, dead man, an' help me drive my row, Wake up, dead man, an' help me drive my row. Some in de buildin' an' some on de farm, Some in de graveyard, ...
After the controversial annexation of Texas, the US Army marches south to provoke war with México over the disputed Río Grande boundary. Ximena Salomé is a gifted Mexican healer who dreams of building a family with the man she loves ...
a fun and easy way to teach and learn American history.
Sam Phillips, who recorded artists such as B. B. King and Ike Turner in a still-segregated South, understood the underlying realities of a Jim Crow America. Chuck Berry and Little Richard would be early breakout stars across the color ...
This powerful new work of fiction brings Neil Jordan's inimitable storytelling ability to the revolutions that shaped the eighteenth century—in America, France, and, finally, in Ireland.
Josh White (1914–1969) was in his late twenties: Author interview with Douglas Yeager, 7/19/00. White, from Greenville: Elijah Wald, Josh White: Society Blues (Amherst: University of Massachusetts Press, 2000), 1. his father was sent ...
This book draws widely on archival collections both at home and abroad, including Latouche's diaries and the papers of Bernstein, Ellington, Moore, Moross, and many others, to tell for the first time, the story of this fascinating man and ...
Both biographical and topical, The Ballad Collectors of North America chronicles those individuals most influential in the gathering of North American folksongs and investigates the two leading schools of thought regarding the collection ...