This collection of essays pays tribute to film critic Andrew Sarris, the most influential film critic in American film history. The 38 essays assembled here and arranged according to major theme demonstrate the amazing impact Sarris has had on every aspect of the film world: fellow critics, filmmakers, readers, and American popular culture.
Profiles of American film directors are given and their influence on the art is discussed
Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, ...
Andrew Sarris has long been one of America's most celebrated writers on film, author of the seminal work The American Cinema, and for decades a highly regarded critic, first for...
... protagonist is the Good Villain, “the sympathetic bad man.” As either a gangster or a beloved rogue like Raffles or Don Juan, the Good Villain is a vigorous figure who attracts our admiration. He expresses his desires and emotions ...
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view.
92 · the source of the film's strange and seductive mixture of tones: Brickman has made a lyrical, ... Everyday life shades imperceptibly into a dream, just as Brickman shades his shots from coolly framed objectivity into the sinuous ...
... 408 Philadelphia Evening Ledger, 54 Philadelphia Inquirer, 333, 400, 423 Philadelphia Weekly, 232 Philbin, Regis, 266, 270, 286, 302 Phillips, Michael, 279 Phillips, William, 150 Phillips Exeter Academy, 123, 149 Photoplay, 28, 29, ...
From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, ...
The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades.
Ebert has the distinction of being the first film critic awarded a Pulitzer Prize for his reviews. His more than twenty books include the annual Roger Ebert's Movie Yearbook, The Great Movies (2003), and Roger Ebert's Book of Film ...