Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is their ability to frighten, disturb, shock, provoke, delight, irritate, and amuse audiences. Horror's capacity to take the form of our evolving fears and anxieties has ensured not only its notoriety but also its long-term survival and international popularity. This second edition has been comprehensively updated to capture all that is important and exciting about the horror genre as it exists today. Its new entries feature the creative personalities who have developed innovative forms of horror, and recent major films and cycles of films that ensure horror's continuing popularity and significance. In addition, many of the other entries have been expanded to include reference to the contemporary scene, giving a clear picture of how horror cinema is constantly renewing and transforming itself. The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. The entries cover all major movie villains, including Frankenstein and his monsters, the vampire, the werewolf, the mummy, the zombie, the ghost and the serial killer; film directors, producers, writers, actors, cinematographers, make-up artists, special-effects technicians, and composers who have helped shape horror history; significant production companies; major films that are milestones in the development of the horror genre; and different national traditions in horror cinema - as well as popular themes, formats, conventions, and cycles.
(2007), which also provides invaluable information on the activities of Nikkatsu studio during the late 1950s and ... Fantasy and Horror Films (1994) and The Toho Studios Story: A History and Complete Filmography (2008); and Thomas ...
The A to Z of the Progressive Era by Catherine Cocks, Peter C. Holloran, and Alan Lessoff, 2009. The A to Z of Middle Eastern Intelligence by Ephraim Kahana and Muhammad Suwaed, 2009. The A to Z of the Baptists William H. Brackney, ...
When money troubles drive Bailey to the brink of suicide, a kindly angel intervenes to allow him to see what Bedford Falls would have been like without Bailey's efforts to make things better. In particular, without Bailey, ...
He was born James Todd Smith in St. Albans, Queens, New York, and he is a two-time Grammy Award–winning rapper. He appeared on the music scene in 1985 and became the first rap artist to release a single on the Def Jam Records label.
Lesbian Literature, by Meredith Miller, 2006. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. British Radio, by Seán Street, 2006. ... Sacred Music, by Joseph P. Swain, 2006. Russian Theater, by Laurence Senelick, 2007.
Campbell's novella Who Goes There? (1938). Shifting the action of the first film from the Arctic to Antarctica (and thus placing it in an even more remote and forbidding environment), The Thing once again tells the story of a remote ...
Foster, Gwendolyn Audrey. Captive Bodies: Postcolonial Subjectivity in Cinema. Albany: State University ofNew York Press, 1999. Foster, Hal. “Postmodernism: A Preface.” TheAnti-Aesthetic: Essays on Postmodern Culture. Ed. Hal Foster.
MORRIS, OSWALD (1915— ). Cinematographer. Ossie Morris worked his way up through the camera departments of the British film studios of the 1930s. He operated for leading cameramen, such as Ronald Neame, Guy Green, and Wilkie Cooper, ...
This book is an excellent resource for students, researchers, and anyone wanting to know more about Spanish cinema.
The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.