German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, the Historical Dictionary of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
Lesbian Literature, by Meredith Miller, 2006. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. British Radio, by Seán Street, 2006. ... Sacred Music, by Joseph P. Swain, 2006. Russian Theater, by Laurence Senelick, 2007.
COSTER-WALDAU, NIKOLAJ (1970– ). Handsome Danish actor who graduated from the Danish National School of Theater in 1993. CosterWaldau got his breakthrough with Ole Bornedal's thriller Nattevagten (Nightwatch, 1994), playing the student ...
In New German Filmmakers: From Oberhausen through the 1970's, edited by Klaus Phillips, 168–84. New York: Frederick Ungar, 1984. ... Plater, Edward M.V., and, J. Yellowlees Douglas. “The Temptation of Jonathan Zimmermann: Wim Wenders' ...
Niemann-Raabe was one of the finest performers in 19th-century German theater, and if witnesses like Otto Brahm and colleagues like Ludwig Barnay are to be believed, she had the ability to transcend the normal limits of performance in ...
Through a chronology, an introduction essay, a bibliography, and over 500 cross-referenced dictionary entries on filmmakers, performers, cinematographers, composers, producers, studios, genres, and outstanding films, this reference work ...
HATHAWAY, HENRY (1898–1985). A reliable and highly experienced action director, Hathaway directed several semidocumentary noirs: The House on 92nd Street (1945) and 13 Rue Madeleine (1947) produced by Louis de Rochemont, and also Call ...
The Ufa Story: A History of Germany's Greatest Film Com- pany, 1918–1945. Translated by Robert and Rita ... Germany on Film: Theme and Content in the Cinema of the Federal Republic of Germany. ... Historical Dictionary of German Cinema.
1997 : Wolffs Revier : Der kleine Tod . 1998 : Tatort : Money ! Money !; Götterdämmerung - Morgen stirbt Berlin ; Heimatgeschichten : Ein rettender Engel . 1999 : Auf eigene Gefahr : Raubritter . 2000 : Tatort : Berliner Bärchen .
The history of this period in German literature is told through a detailed chronology, an introductory essay, a comprehensive bibliography, and over 200 cross-referenced dictionary entries on poetry, novels, historical narrative, ...
An earlier version of the film appeared in 1935 with George Raft as Beaumont, Edward Arnold as Madvig, and Claire Dodd as Get Carter (7 971) directed by Mike Hodges. Shown: Michael 172 ~ GLASS KEY, THE.